by Catherine MacArthur Falls
The works are, ultimately, elegant and engrossing. Jodoin achieves her objective of stillness and the eye cannot look away.
France Jodoin: Time and its Reflection at Thompson Landry
Category: FEATURES
Robert Chandler: “Something Happened” at Yumart
by Sunny Kim
Through the percussive musicality in his paintings, Robert Chandler showcases colorful abstract works that are geometrically distinct, and intuitively spontaneous.
Jesse Harris: PATHS at Cooper Cole Gallery
by Rhiann Moore
Although Jesse Harris is not a musician it’s clear how punk music fuelled this specific project. The works are Jesse Harris’ way of making an album
Rocks, Stones, and Dust at UTAC
by Sunny Kim
is a highly intentional exhibition that explores the theory that humans share their roots with rocks from the early period of the development of Earth – widening our perspectives of our beginning
BMO 1st Art! Exhibition at JMB
Rhiann Moore
It is clear why each of the pieces were chosen as they all seek to ask questions about their history, their future, and the meaning of life.
Tawlst: The History of Touches at Angell Gallery
by Katie Lawson
The particular height of the plinths used to exhibit the work encourages practices of public voyeurism, desire to behold and scrutinize these precious objects
Joanne Tod: Slipstream at Nicholas Metivier
by David Saric
these desolate passages position the viewer as an urban explorer, imaginatively unlocking the possibilities that interlocking stairwells and doorways present, creating a multifaceted phenomenological experience
Skawennati: AVS at ELLEPHANT
by Carter Brown
Founded in Montréal, ELLEPHANT has a first-time Toronto address for a very unique exhibition featuring the Mohawk artist Skawennati.
William Kentridge at Barbara Edwards Contemporary
Catherine MacArthur Falls
whether Kentridge speaks of the memory of a nation or of an individual, in the end, the power of the project may lie in its partiality, in its bittersweet admonition that nothing can ever be truly captured or remembered as a whole
Tara Cooper and Jenn Law at loop
by Katie Armstrong
The two separate shows, Cooper’s God Love Brigus and Law’s Means & Ends, become unified as a result of their common interest: the use of synergy.
Feature After the Fact: Feature Contemporary Art Fair 2015
Catherine MacArthur Falls
Feature’s smaller scale, its individualization of gallery space, its tour guides and gallery reps wiling to explain intricacies of material or content, allowed this type of quieter work to stand out.
Interview with photographer, Chloe Norman
by Emily Newell
I strongly feel that is also can be a very open relationship being both a feminist and a Christian, especially in our times. I think that the best way for me to think about it is as the quest for equality