by Phil Anderson
I’m very interested in the possibilities of infinity and I wanted to be able to make a non-conventional type of infinity.
Miguel Caba: Text Repetition 3740
Category: BRIEFS
The Sunshine Eaters / Onsite Gallery
by Nikole Turrer
Troung’s work is delicately curious, and creates a moment of personal intimacy when hope is understood as a self-reflective moment between the individual and the land.
Holly Briesmaster, Waterscroll
by Julie McNeill
Waterscroll, contains abstract landscapes that fill the room with the visual sound of rushing, falling water
Marvin Luvualu Antonio at Clint Roenisch Gallery
by Emily Lawrence
Each work in the show is a sign of humanity and the struggles that come along with it, as themes of cultural appropriation, racial politics, identity, and capitalism are addressed through Antonio’s work
Marco Bertuzzo: Hidden
by Meghan O’Callaghan
Marco Bertuzzo has poignantly reminded us that art should be slowly digested, a process that allows one to absorb all it’s veiled meaning.
Tim Noonan: Slipping into Abstract at Yumart
by Meghan O’Callaghan
Noonan’s entrance into abstraction is successful as he captures the consciousness of city life, depicting its claustrophobia and dynamism with a cavalcade of overlapping colours and lines
Erin Loree: GRIT/SHEEN at Project Gallery
by Camila Jourdain
I immediately fell in love with the luminescent swirls of light, the exquisite gradients of colour and the quasi sculptural impasto of oil that characterizes her innovative abstractions.
Jean-Pierre Lafrance: Juxtapositions
by Camila Jourdain
Each of his creations invites us to stare deeply into the thick coats of paint and uncover the emotions behind every single colorful brushstroke.
Shaun Downey: In the Afternoon
by Rumaisa Baqa
The details in this canvas really capture the emotions that the artist wants to convey: loneliness and waiting.
Yangyang Pan: Inside Out
by Sabine Modder
Yangyang Pan situates the onlooker as an integral part of her work, for it is the ability to view the landscape that provides the link between seeing, seen and scene.
Susana Reisman: Rough–cut slab
by Eun Byul Jo
Through this piece, Reisman distinctively expresses how we recognize the conventional matter in a material rather than in the natural form.
Brian Deignan: Roadworks
by Tara Akitt
His works are characterized by their blurry appearance, while the automobile serves as a framing device and contextualizes the perspective.