Carolyn Peralta
Wood doesn’t openly criticize the lifestyle of his models but focuses more on the use of colour and form in order to create beautiful paintings, inviting the viewers to immerse themselves in.
by Iris Wu
Dos Santos provides a glimpse into the bittersweet life of these rural residents. By catching this “everydayness” she is able to document – and “preserve” in a certain way – the simple and undisturbed society that still exists
by Ailin Qi
This is an unique exhibition. If you are looking for something different in the abstract painting genre, General Hardware Contemporary is your best choice
by Xiaotong Cao and Emese Krunák-Hajagos
What makes Barbey a great photographer is not only his technical perfection, sense of beauty but his humanitarian attitude, his love toward his subjects and the stories he tells
by Nathan Flint
The show tackles concepts from personal concerns to broad cultural issues, abstraction to realism and many more varied styles and various ideas.
by Daniel Joyce
Curator Tak Pham offers sweet indulgences and sour truths in Decadence at Pari Nadimi Gallery
by Phil Anderson
Interview with David Liss Curator @ MOCA on the inaugural exhibition of the new centre
by Nazli Nahidi
This is not as superficial as its mediums may make it out to be, these are issues spread out across a vast landscape, lives and generations felt on a deep level.
by Sophie Wang
Alexander’s layered multimedia images and Treleaven’s collage photographs – both very unique in their appearance – are worth a visit or two to the gallery
by Nathan Flint
the show is a wonderful learning opportunity for anyone interested in the praxis between the visual arts and environmental activism
by Sunny Kim
By transporting these wayfinder markers to the gallery space, Los-Jones provides us with the navigational tools with which we can fearlessly explore our own personal terra incognita.
by Carolyn Peralta
A harmonious contrast between light and dark is found in several of Morimoto’s paintings, and adds suspense and depth to his works.
