by Steve Rockwell
If Matheson speaks to the individual and their private journey of discovery, then Ooi addresses society in a holistic sense. Nevertheless, both artists in their own way arrive at a cosmology.
by Steve Rockwell
Women of Allah became a turning point for Neshat. It began her journey from an overtly political or religious art to the mythic and allegorical.
by Georgia Gardner
This exhibition focuses on the autonomy of the land and voices the urgency of our accountability. The land remembers and it speaks thoughtfully.
by Lily Scriven
Both artists understand their power as documenters, and storytellers; in doing so they comment on the stories we tell ourselves every day, as we go about our city lives
by Vivian Sun
By deconstructing the familiar elements in the ecosystem, the artwork is asking us to reconsider our actions towards nature, leave our ignorance behind and have an honest look into the future.
by Phil Anderson
Edward Burtynsky brings an important message to us about environmental concerns through his photography
by Georgia Gardner
Her paintings are set in two places she has lived extensively in – Toronto, Canada and Palermo, Sicily.
by Hugh Alcock
These paintings are the latest in a years-long series of works by Mackay in which he courageously explores the endless and surprising possibilities of painting itself. Their energy is infectious.
by Emese Krunák-Hajagos
Clinton exhibition stands witness to the fact that every object we find, touch or use has a particular moment’s memory attached to it.
by Jennifer Boothby
The exhibit provides a peaceful setting for visitors to explore and interact with innovative artworks that engage all the senses
by Zhiyi Fang
Their images usually have eerie or uncomfortable atmosphere and narratives that never fully unfold.
