by Emese Krunák-Hajagos
The most important thing is to be committed to what you show. Galleries that are interesting are the ones that have a personality. I think the personality of the gallery should reflect the owner—the one person making all the decisions, like selecting the artists and artwork.
by Elena Iourtaeva
The viewer is caught in a mesmerizing reflection of meanings between the three components of the exhibition: the found photographs, the empty frames and the almost undecipherable writings from the past.
by Leanne Simaan
Kothari and Paterson provided a lighthearted exhibition that gives super-fans the nostalgic satisfaction of seeing some of their favorites
by Christine Platt
this is an important show which will give audiences in Toronto a much more detailed and complex vision of what artists are producing in relation to contemporary Chinese experience
March 29 – May 24, 2014
Craft Ontario Gallery
people who are coming to this gallery to view this exhibition will be challenged to stretch their definition of what they think of as craft
by Aurore Mathys
During those five days, anyone will have the opportunity not only to become the proud owner of an art work, but also to discover and learn more about contemporary artistic trends.
by Libby Hague
Yael Brotman and Martha Eleen are artists whose eyes and minds are open.They pay serious attention to things most people don’t notice and create structural frameworks that defy rhythmic expectations.
by Gagan Sandhu
Because of those (travel) experiences my inspiration switched from the Center (popular north American culture and urban life) to Periphery (outer edges of society) .
by Ben Bruneau
Though Simpson’s masks remember a history that didn’t transpire and imply a future that won’t actually exist, they suggest alternate stories and speak to the futures that might have been—and might still be—possible.
by Emese Krunák-Hajagos
Large rotting Wookies, a frosted ice cave and a gorgeous candelabra greet the visitors in Mocca’s warehouse-like interior. These three, rather shocking, monumental installations are very impressive but somewhat challenging.
by Gagan Sandhu
Goudreau’s photo manipulation of the past and staged re-presentation of events, invoke the very instable nature of memory that allows it to be moved around to suit the agenda of others.
by Phil Anderson
Interview with Stephen Ranger, Vice President of Development of Waddingtons Auctions, founder of Concrete Contemporary. This years sale had 120 lots with a diverse group of artists works.
