by Simon Termine
Not Too High, Not That Low present intriguing and insightful views about how art can manifest outside of restrictive, solidified practices that are otherwise taken as granted.
Not Too High, Not That Low / Division Gallery
Category: FEATURES
Eunha Kim & Kristen Fahrig at loop
by Summer Sun
However different are the artworks of Kim and Fahrig, they share the most important thing on Earth: the love of life.
Figures of Sleep
by Sunny Kim
In this comfortable and sleepy environment, curator Sarah Robayo Sheridan contemplates the role of sleep in the personal, social, and political.
Interview with Nicole Collins
by Emese Krunák-Hajagos
Nicole Collins has two exhibitions on at the same time, One Shot at General Hardware and Furthest Boundless at Koffler Gallery.
The Sex Show 2018 / Gallery 1313
by Iris Wu
What defines as sexual and erotic? Gallery 1313’s annual Sex Show approaches the topic with many interesting artwork
Kathryn Bemrose / A Manner of Speaking
by Summer Sun
Looking at Bemrose’s canvases is a great pleasure; they are vibrant when studied separately, yet harmonious together.
Steven Beckly: Meirenyu at Daniel Faria
by Sunny Kim
I am seduced by the shine and the stillness of Meirenyu’s poiesis. Can one create a real being out of a fictional myth? Steven Beckly’s poetic investigation contemplates this question.
Sarah Cale: Potpourri / Clint Roenisch Gallery
by Sunny Kim
Cale re-imagines the concept of still life with traditional paint application, awe-inspiring collage and contemporary abstraction
Asma Sultana: Constellationscape / Gallery 1313
by Nathan Flint
Sultana takes a voyage into space to explore the numerous constellations in our night sky using craft rather than spacecraft
Polari at Robert Kananaj Gallery
by Bruce Eves
there is something subversive and potentially revolutionary in the act of possessing a secret form of communication
Interview with Neil Polson
by Phil Anderson
I am looking at other urban subject matter, perhaps looking at addictions and how indigenous youth might be effected in an urban setting. My process is a continuous starting and restarting journey.
Andrew Rucklidge at Christopher Cutts Gallery
by Simon Termine
Simply because the arctic is expansive and wild does not mean that it does not possess a life of its own; it just requires a different perspective that appreciates the quality of that emptiness and what it actually holds.