by Nathan Flint
Iles, using an array of well executed mediums and creative curatorial decisions, has created an engaging installation that has a strong critical message immersed in beautiful and interesting imagery and design.
by Sophie Wang
As the title hints these clouds could be easily caused by an atomic bomb, so their elastic beauty deteriorates in front of our eyes and becomes utterly dangerous. However, in this exhibition, danger is overruled by beauty.
by Nazli Nahidi
Black Friday tells a story in a dreamlike state, of the gulf’s relationship with western capitalism and religious conservatism.
by Iris Wu
The exhibition seems to play with the idea of distortion – asking the viewer to contemplate the unpredictable and unexpected that appears on this new horizon.
by Victoria Rainoff
the exhibition is all about stones and becoming ecstatic through the procedure of transforming the otherwise static and lifeless stone into meaningful artworks.
Carolyn Peralta
Wood doesn’t openly criticize the lifestyle of his models but focuses more on the use of colour and form in order to create beautiful paintings, inviting the viewers to immerse themselves in.
by Iris Wu
Dos Santos provides a glimpse into the bittersweet life of these rural residents. By catching this “everydayness” she is able to document – and “preserve” in a certain way – the simple and undisturbed society that still exists
by Ailin Qi
This is an unique exhibition. If you are looking for something different in the abstract painting genre, General Hardware Contemporary is your best choice
by Xiaotong Cao and Emese Krunák-Hajagos
What makes Barbey a great photographer is not only his technical perfection, sense of beauty but his humanitarian attitude, his love toward his subjects and the stories he tells
by Nathan Flint
The show tackles concepts from personal concerns to broad cultural issues, abstraction to realism and many more varied styles and various ideas.
by Daniel Joyce
Curator Tak Pham offers sweet indulgences and sour truths in Decadence at Pari Nadimi Gallery
by Phil Anderson
Interview with David Liss Curator @ MOCA on the inaugural exhibition of the new centre
