Category: FEATURES

Christian Eckart at General Hardware

by Mikael Sandblom

Eckart uses contemporary visual language and technology to set up an experience on the canvas that has the same emotive feel as the impact of nature.

by Georgia Gardner

These new works present sweeping landscapes, seascapes and mountain scenes, paving the way for elements of the natural world to personify emotions.

by Jennifer Boothby

The prints draw viewers into a unique, chaotic, and often whimsical, representation of the natural world.

by Vivian Sun

Densely packed architecture and thriving natural environments are the fundamental components, but the perspectives give viewers a sense of an apocalypse.

by Mikael Sandblom & Bronwen Cox

It’s great to have the opportunity to get up close to so much interesting art all in one place!

by Phil Anderson

Artists for the most part seem to have been busy creating new works for us to enjoy and the fair is the perfect venue to take it all in. It may be smaller but it works just fine.

by Megan Kammerer & Cathy Liu

October 29 – 31, 2021

Metro Toronto Convention Centre

by Zhiyi Fang

this exhibition is intriguing and aesthetically appealing in that it investigates plastic as an art material, a result of cultural production, and an artifact that is intertwined with human body.

by Phil Anderson

In terms of the artists and art works, the exhibition expresses, or gives a sense, of the urgencies and contemporary condition of a specific moment in time in relation to a specific place.

by Georgia Gardner

These works are immersive and imaginative, with fantastical elements and dreamlike motifs comprising foliage, domestic space, and metaphors for cultural memory

by Olivia Mariko Hsuen-Ferris

Artists of various backgrounds, genders, and ideologies come together to forge connections that are new, old, emotionally intimate, physically distant, and everything in between.

by Vivian Sun

At first sight these two artists seem very different both in their artistic approaches and their methods of creation. However, I recognized surrealistic allusions in both Collins’ and Patella’s exhibited work.