Portraiture is one of the oldest art forms. In the past it had the function of ‘remembrance,’ but with new technology, like photography, there are more productive methods to preserve those we want to remember. So, what might we be able to learn from contemporary portraiture? I’ve always thought that making a portrait, whether it be of oneself or of another person is one of the most vulnerable and intimate activities one can partake in. The Portraits show at Gallery 1313, although diverse in styles, still manages to create a sense of intimacy and closeness with each piece.
Installation view of Portraits Inc. at Gallery 1313
Portrait Inc. in the Process Gallery is an exhibition made up of 16 artworks by 10 different artists. A show about introspection and reflection, perhaps even connection and empathy for others, expressed in numerous mediums, forms, colours, and sizes.
The moment viewers enter the room; they are faced with the intense glare of an elderly man. Aging Textures (Old Man) is a large black and white piece. The title suggests that the highlight of the work should be the thick textured paint strokes that decorate the man’s face. In the debate of photography vs. painting, this work offers a three-dimensionality and character that photography would not be able to convey. It celebrates the texture of aging skin which seems to be important in a society that praises a forever young appearance, even as one approaches seniority.
Anika Becker, Aging Textures (Old Man), acrylic, 24 x 30 in.
Other pieces in the show incorporate three-dimensionality, like the works by Michaela Lucio who chose to add embroidered elements to her ethereal, vibrant pieces. The woven elements paired with the homely scenes create a soft and gentle family picture.
Michaela Lucio, You Tie Me in Knots, waxed watercolour on frosted mylar mounted on canvas with hand-stitched embroidery, 12 x 12 in.
There are also some incredibly colourful and lively pieces such as those by Kelly Rose Adams or Nicole Banton. They both feature a woman avoiding eye contact with the viewer. These self portraits show a cold and distant persona depicted with saturated colours. The stories the artists are trying to tell through these contrasting elements is intriguing and a vivacious visual experience.
Kelly Rose Adams, Self Portrait at 27, oil on canvas, 16 x 20 in. (left) and Nicole Banton, Self Portrait Digital, print on oil silkscreen (right)
Another piece with a vibrant palette and a convoluted narrative is titled Vomit in my Tub, which is adorned with bold, strong colours but represents a sorrowful and vulnerable scene. I find portraits where the person shown is not directly engaging with the public, to be disturbing. Did the person know they were being seen or are we, as the viewer, prying into something that they would have preferred to remain private.
Brina Taneja, Vomit in my Tub, acrylic, 42 x 36 in.
Michael Bedford painting depicts a vulnerable dark and gloomy scene where a man covers his face although he stands almost naked. Is he ashamed of his body?
Michael Bedford, Untitled, oil on cotton, 16 x 20 in
Kaeli Stein’s two charcoal portraits with beautiful technique and intricate detailing are stellar pieces in the exhibit.
Kaeli Stein, Lulu (left) and Vogue (right) both charcoal, 16 x 12 in
The exhibit is a thoughtful, dynamic show that fills the room with different intimate stories for the public to explore.
Sofia Diaz Aguilar
Images are courtesy of Gallery 1313.
*Exhibition information: Portrait Inc. / Group show, June 11 – 22, 2025, Gallery 1313, 1313 Queen Street West, Toronto. Gallery hours: Wed – Sat 1 – 5 pm, Sun 1 – 4 pm.