by Melina Bigler
This exhibition definitely breaks with the traditional conventions of reluctance and implements an outburst of feelings.
Andreea Alta Mihartescu: Orpheus Within Us
Category: BRIEFS
Jérôme Nadeau: RUINS
by Maddy Tripp
With the focus on materiality, disintegration, and the gesture of the artist, Jerome Nadeau uses photography to contextually create what he refers to as “paintings”.
Timeless Kandinsky
by Maddy Tripp
Have you ever imagined a visual experience where each of your senses is awakened; the smell of the vivid reds, the sound of the poignant blue, or even the taste of the lemony yellows?
Portrait of an old man
by Emese Krunák-Hajagos
He seems to be looking inward, captured by his memories. His sad face tells the story of a life well lived, a life that was worth living regardless the hardships.
Life and dust
by Rhys Male
As I entered the exhibition space, equally striking to that of the lifelike sculptures is the overwhelming musk of clay in the air, which makes you feel as if you are right in the artist’s studio
In-Between Worlds
by Emese Krunák-Hajagos
These staged images are very cold and even the bloodiest is somewhat quiet. Regardless their strong narrative, they radiate solitude.
Re-emerging in Gold: Milly Ristvedt
by Saba Askary
Her work is quiet but powerful, subtle but It speaks to audiences of the long past, the immediate present and the future
Sandi Wheaton: so still the sea, so waste the ground
by Kelli Jerome
Each image possesses a conscientiousness that is haunting in its realism while at the same time surreal in its beauty.
Not “Alright”
by Emese Krunák-Hajagos
something went wrong and violence is apparent. They sit anonymously in this wasteland, two losers on the periphery of society.
Departure by Colin Carney
by Emese Krunák-Hajagos
THE RED HEAD GALLERY
Departure means leaving but Colin Carney’s work gives me the feeling of arriving as well
Kathryn Bemrose: From Above
by Ashley Johnson
De Luca Fine Art | Gallery
For this exhibit we remain in floating position, elevated from suburban ennui and the grit of industry.
A Human Canvas: Myself
by Ryan G. Hinds
Matti’s work taught me that I can rely on myself a little bit more for confidence, and the soft and beautiful side of my persona that came out was a lovely surprise.