by Phil Anderson
I have an unusual way of painting. I mix a number of oil paint colours on a palette and carefully place the paint in a small plastic bag at the corner, then I cut a small tip off the corner to squeeze the multi-coloured paint out.
by Phil Anderson
“I have recently been looking at life as this both everything and nothing experience. The existential belief that everything is the same was my departure point.”
by Emese Krunak-Hajagos
Invitation to whom it may concern: If you are in any way witnessing remoteness in any level, personal, or social, or simply art loving, or an artist, we have Robert Kananaj Gallery hosting and sharing the outsider in all of us.
June 30 – August 26, 2012
by Phil Anderson
THE POWER PLANT CONTEMPORARY ART GALLERY
two elements in the show, and both are collections: a series of Polaroids and a litany of questions
by Kathleen Reichelt
THE TRASH PALACE
May 26,2012,9:30pm
Without a pre-selected theme, the program revealed a number of shared commonalities from contemporary artists around the world
by Sara Namias
PENTIMENTO FINE ART GALLERY
May 3 – June 3, 2012
His passion, creativity and innate sense of humor, are the characteristics that set his work apart, including in still photography, his second great love
by Phil Anderson
Spirits of the Grotto
Dufferin Underpass
“I hope people who live in the area will form unique relationships with the various “spirits”.
by Aeree Rho
GALLERIA 814
May 1– June 1, 2012
When I see a place or an object I kind of have a feeling …As long as you have good eyes, the sky is the limit.
by Edward Rubin
DE LUCA FINE ART GALLERY
intellectually engaging in the infinite number of ideas that it conjures up, is at its very root, sensuous, seductive, and romantic
by Barbara D. Waginski
GALLERY 44
May 4 – June 16, 2012
human beings despite the place they are living in, are more similar to each other than different and thus these differences can be an opening for dialogue and engagement
by Seowon Bang
April – June, 2012
CONTACT is the largest photography festival in the world. “And we’re also trying to be the best photography festival,”
by Amanda Pignotti
MUSEUM OF CONTEMPORARY CANADIAN ART
February 4 – April 1, 2012
the blackened architectural layout of the exhibition facilitates frustration, subtle panic and anxiety
