by Catherine MacArthur Falls
His newest series strikes with uncanny accuracy not only at the northern Alberta landscape by which it was inspired, but also at many of the confining and alienating elements of contemporary rural and suburban life.
Catherine MacArthur Falls
Director Lyudmila Bezpala-Brown described the gallery’s forward-looking vision, which will focus on art that relates in some way to the notion of wellness, be it mental, physical or ecological.
by Ella Gorevalov
What I love about public art is the simple fact that it is public… Public art breaks up someone’s day and incites an aesthetic experience when they aren’t ready for it.
by Catherine MacArthur Falls
The works are, ultimately, elegant and engrossing. Jodoin achieves her objective of stillness and the eye cannot look away.
by Sunny Kim
Through the percussive musicality in his paintings, Robert Chandler showcases colorful abstract works that are geometrically distinct, and intuitively spontaneous.
by Rhiann Moore
Although Jesse Harris is not a musician it’s clear how punk music fuelled this specific project. The works are Jesse Harris’ way of making an album
by Sunny Kim
is a highly intentional exhibition that explores the theory that humans share their roots with rocks from the early period of the development of Earth – widening our perspectives of our beginning
Rhiann Moore
It is clear why each of the pieces were chosen as they all seek to ask questions about their history, their future, and the meaning of life.
by Katie Lawson
The particular height of the plinths used to exhibit the work encourages practices of public voyeurism, desire to behold and scrutinize these precious objects
by David Saric
these desolate passages position the viewer as an urban explorer, imaginatively unlocking the possibilities that interlocking stairwells and doorways present, creating a multifaceted phenomenological experience
by Carter Brown
Founded in Montréal, ELLEPHANT has a first-time Toronto address for a very unique exhibition featuring the Mohawk artist Skawennati.
Catherine MacArthur Falls
whether Kentridge speaks of the memory of a nation or of an individual, in the end, the power of the project may lie in its partiality, in its bittersweet admonition that nothing can ever be truly captured or remembered as a whole
