by Ella Gorevalov
He paints large-scale animal hybrid murals that splash onto concrete and brick throughout back alley pockets, making use of angles and drop shadows to illustrate the absurdity of impossible creatures
by Alice Pelot
the art works represent the tangible, real, life-giving organs and actions of others in an incredible array of materials and interpretations
by Alice Pelot
While there are impressive art pieces worth travelling to see at Angell Gallery’s twentieth anniversary exhibition, it is the context of all these works together, producing a portrait of Angell as a collector, that is most thrilling.
by Phil Anderson
Chantal Pontbriand’s vision will come to life in May, 2017 and Toronto will have a new international museum and nexus space for exchange and networking.
by Rhiann Moore
From animals, to figures, to more abstract works Hummel clearly puts his all into each one of his works big or small.
by Simon Termine
His work is encouraging us to examine the developmental quality of the mundane objects abundant within our generation, something which we cannot alienate ourselves from since it has become so definitive.
by Phil Anderson
“Expressing a perspective with an integral voice that was engaging with a positive influence was important for me.”
by Alice Pelot
Sarah Carlson’s large-scale paintings at Graven Feather, encourages us through personal mythologies to re-imagine and re-visit our wild roots.
by Alice Pelot
Pien’s engaging installation is not a devastating, vulnerability-inducing ride, but it is an effective metaphor, and an experience with a resonating narrative drawing attention to political crisis.
by Ella Gorevalov
The message they send is simple: we’re all living in this less-than-perfect city, but we love it for all of it’s flaws. I feel that way. Don’t you?
March 24, 2016 / 6:30 – 9:30 pm
by Phil Anderson & Meghan O’Callaghan
With these artists, their art, I only expect further success for the dynamic collective at Propeller.
by David Saric
Hutchinson’s work moves beyond easy categorization to embody an essence of painting, one that looks beyond customary art-historical practices to something less definable, and immediately beautiful.
