In The Boss, The Queen, The Secretary and The Henchman, the layers of paint have more solid planes, are less in flux and the figures demonstrate relationships not only between imagined characters but also between colours.
Interested in the idea of shadows and how they cast over the histories and lives of people, Lee’s paintings create links between the past, the present, and the future.
Zachari Logan and Morley Shayuk explore the complexities of nature, examining its potential connections in itself, between other organisms, and within a societal context, with juxtaposing approaches in both theme and style.
Both artists are concerned with their respective obsessions, one of words and one of a specific horizontal form. Delving into these obsessions is an indulgent experience both for the eyes and the mind.
In the show What The Moon Saw by integrating the freedom of abstract gestures with a complex figurative vocabulary, Smith achieved a language of her own.
These hyper-realist photographs seem so real that they become unreal. In this show West outlines a new American aesthetic through a modern mythology of disengagement.
Joan Kaufman’s work examines the relationship between man and nature, particularly the sentimentality and intimacy that could, and to an extent does, exist between us.
With Bed Island, Nadia Belerique has created an atmosphere conducive to the process of self-awareness, wherein moments of vulnerability and autonomy may be recognized.
Project Gallery successfully allows the character of each artist to speak for itself without any generalizations about the experience of being female, while also maintaining a succinct curatorial vision.
The multidisciplinary practice of Butler pushing the boundaries and definitions of art world models. The travelling studio/party forms a much needed community space and entertaining activity.