by Emily Kovacs
The artist prompt viewers to engage with the past in relationship to the present and offer up their selection of art to instigate thinking about the continued romanticization of imagined realities
by Elena Iourtaeva
The acoustic interplay of these aesthetically similar works connects the three artistic vectors, otherwise separated by year of creation, from 1975 to 2015.
by David Saric
Perennial optimists beware: Elaine Whittaker’s newest exhibition explores how contagions and viruses can significantly alter human’s biological framework with the potential to destroy hordes of vulnerable targets without warning
by Marina Dumont
I would rather say that with Blass, it’s not so much about slipping in and out of fiction, but rather about catching her reality. However, I believe that just as it is the case with her Venus, we can never fully catch the Blass’ gaze.
by Mia Guttmann
The broad-range in media is complementary to the gallery’s exploration of different themes, cultures and geographical locations. This provides a large palette with which we are asked to not only engage, but to carefully consider.
by Emily Kovacs
In Salazar’s artwork, I enjoy stories that unfurl all over and all at once. His goal of getting me back in touch with my ability to access childlike curiosity and wonder was definitely realised.
by Brinae Bain
Both shows at the Ryerson Image Center feature strong photographic works of women with agency, yet at two polarities, forcing the viewer to face reality with the cult images of glamour past
by Vanessa Zeoli
Hodgkin’s expressive pieces, in combination with his majestic collection of Mughal paintings, work cohesively to offer visitors two distinct but equally relevant perspectives of a culturally rich nation.
by Tetyana Herych
In the exhibition, Caravansary of Joy, Murphy and Langer carry out the idea of Mentalphysics with their compact cohesive pieces, dispersed in a rhythmic way throughout the gallery.
by Rumaisa Baqa
Draz’s work consists of a lot of experimenting, she is not your average artist. Her work focused on city landscapes, perspective and investigate potential parallels between drawing, body and buildings
by Emily Kovacs
I leave the Canadian Sculpture Centre thoroughly impressed by the society and the array of works that their members have created. There is so much talent, emotion, variation and variety on show in Eyes of March.
by Kurt Rostek
I sit here in the midst of a powerful vision with a quiet violence, almost reverential…and am in awe.
