by Alice Pelot
Tisiga’s painted scenes are all narrative, storytelling at the height of action, containing traditional threads and allegories as well as personal symbols and subtle Western content.
by David Saric
From Girling’s outward examination of fragile physical appearances, to Cade’s inward probing of the uncanny relationship between the mind and streams, these exhibitions manifest vivid considerations about the world that surrounds us.
by Katerina Bong
Through artistic representation, Ward constructed a sophisticated exhibition promoting critical effects of landmines
by Alice Pelot
Koop’s paintings seem to represent an uninhabitable or rare space where the beauty of New York’s architectural reality is valued above its economic symbolism – or perhaps an ode to ephemeral moments in the mega city’s skyline.
by Nika Teper
Jim Reid’s chaotic brush strokes enable atmospheric renderings that are especially provocative when slowly approached from a distance.
by Carter Brown
I was amazed by her brushstrokes even before I was mesmerized by her Girls and the characters that came to life through them. One thing is for sure: this girl can paint.
by Roald Nasgaard
Up-front, quirkily so, as Evans’ compositional structures often are, it is nevertheless when he pits structure against destabilizing contraries that his more recent painting delivers its aesthetic pizzazz
by Emily Lawrence
The show seems aware of the problematic aspects of Harris, but is overly polite in its explanations and is seemingly too timid to push further—perhaps in fear of appearing blasphemous against one of Canada’s most famous artists.
by Nika Teper
Both art and design shape physical and emotional space. Both have their specific fabrication requirements and processes. I’m often confused by the difference between objects, what they are and what they do.
by Alice Pelot
Most of the objects are treated like artifacts and documentation, but all seem included for the purpose of elevating contemporary tattoo practices and styles to an art form.
by Nika Teper
Jowett expresses qualities of reflection, the division between land and sky, sea and sky, by accentuating the natural geometries.
by Emese Krunák-Hajagos
Our plans for the next five years are to adapt ourselves to the gallery’s growth. Art as life, one project at a time, and to be open as we always have been to the outsider within.
