by Tetyana Herych
Cooper Cole joins the gallery migration process as he reveals his new space on Dupont and Dufferin, with Road to Ruin, a large group show, with a heavy infiltration of American artists.
Road to Ruin at Cooper Cole
Category: FEATURES
RBC’s Emerging Artist People’s Choice Award
by Sunny Kim
Naturally, there is no common theme among the artists except the material. However, even the material has been used so diversely by the artists that ‘ceramics’ would not be the first words to appear in describing them.
I ♥ Paint II at Angell Gallery
by David Saric
There is no substantial contextual relationship between the paintings in this exhibition, as viewers are called to appreciate these interesting, yet disparate artworks based on their own singular merits.
20th Annual Juried Graduating Sculpture Student Exhibition
by Sunny Kim
Through this exhibition the Sculpture Society welcomes and introduces emerging newcomers definitely worth watching in the future.
Fu Meng: Between
by Daisy Li Meng
“What lies between us” is the core question of Fu Meng’s solo exhibition but he has no intention to provide an answer.
Mindset
by Sunny Kim
Art can be a great way to inform people about public health issues. Mindset at Artscape Youngplace is a juried photography exhibition about mental health.
Rise and Fall by Nicholas Pye
by Steve Rockwell
In a twilight, dream-state, all is permitted, the rules having been unbuttoned and loosed. In Pye’s world, the imagination is boundless and surreal – quite beyond the real, as the word surreal suggests.
Jimmy Limit: Surplus / Clint Roenisch Gallery
by Emese Krunák-Hajagos
There are objects, fruits and plants beautifully photographed in Surplus, but what makes this show striking is the presentation of it. It is more than just a show, it is an assemblage that truly becomes an art form of its own.
Elizabeth Zvonar: The Challenge of Abstraction
by Tetyana Herych
Zvonar uses the symbols as a vocabulary for something metaphysical and new. The challenge is to take the images, and arrange them in a way to let the subconscious mind speak.
The Art of Canadian Composite Photograph: 1870 – 1930
by Simon Termine
Through this composite technique, they were able to skillfully create a scene that no one could even conceive, subsequently becoming one of the most iconic images of that period.
Makeshift at Gallery 44
by Elena Iourtaeva
Makeshift by Maegan Hill-Carroll, Brea Souders and Ève K. Tremblay is a delightful display of masterful compositional and coloristic balance
Heidi Leverty: Surplus in transit / Walnut Contemporary
by Emily Kovacs
The photos themselves give purpose to what no longer has a purpose, exposing the simple beauty of a mundane object as it makes its way through the recycling system.