Category: FEATURES

Nasty at Daniel Faria Gallery

by Laura Hutchingame

Nasty at Daniel Faria Gallery showcases a captivating assemblage of works in different media that presents the viewer with defacement, inaccessibility and interference patterns.

by Victoria De Chellis

Scott Treleaven, Not Palaces and Georgia Dickie, How Many Antennae are exciting shows, not to be missed.

by Jordan Fee

In these paintings we see Noonan going above and beyond, achieving a level of abstract clarity that is uniquely his.

by Andriy Bilenkyy

Kalmenson’s show is a politically engaged conceptual art, thoughtful and witty, which, nevertheless, leaves the viewer with an impression of the artist’s longing for an artistic, not merely ideological, adversary worthy of being deconstructed.

by Elizaveta Mironova

Their different styles – Babyn’s conceptual and contemplative installation and Pugliese’s emotional and tranquil paintings – greatly complement each other.

by David Saric

In a dual exhibition, the artists allow their distinct artistic endeavors to reflect, comment upon, and compliment each others’ oeuvres, showcasing a thematically-succinct sister act.

by Phil Anderson

The Museum of Contemporary Art, Toronto, Canada was awarded $5.1 million from Canada Cultural Spaces. Things are looking up for MOCA and the art community was thrilled to hear the news.

by Claire Scherzinger

I immediately was drawn to the science-fiction aesthetic created by these obstructions and the front space of the gallery that is stylishly painted in a complementary eigengrau grey, building the atmosphere of a post-apocalyptic beach scene.

by Daniel Joyce

Though the exhibition certainly leans towards a nostalgic war era’s formal sculptural bias; the artist has successfully put together a show that does not feel out of place in 2017.

by Katerina Bong

Hung separates the nature of the architectural and the human forms yet distinctively composes them together into a single piece.

by Emese Krunák-Hajagos

Howlett’s painting are layered with intellectual meaning. His symbols are sophisticated. His compositions are unique and a product of a long meditation as well as compositional experimentation.

by Simon Termine

Noguchi strives to protect against the passage of time that entangles the tumbleweed or will inevitably destroy the marshmallow structures, while Stewart is concerned with preserving and/or reconstructing fading memories.