by Alice Pelot
we can imagine that his artistic practice is one of secret active performance in which the work constitutes the act of producing crusty artistic dredges
Ryan Wallace: Dragnalus at Cooper Cole
Category: FEATURES
Keita Morimoto: Strange Guild at Nicholas Metivier Gallery
by Sunny Kim
Large or small, Morimoto’s paintings have the ability to seduce our vision.
The Circle Game at Lonsdale Gallery
by Rhiann Moore
While all the works are individually interesting, as an exhibition they become even stronger, showing how influences of the past can be regenerated into new artwork, creating new meaning.
FORECAST I at Project Gallery
by Simon Termine
FORECAST I is an enriching assemblage of talent upcoming to the Toronto local art scene. Project Gallery has had a keen eye for promising artists, and this show is certainly no exception.
Steve Rockwell’s Colour Match Game at Christopher Cutts
by Catherine MacArthur Falls
Rockwell has thus managed to capture a network of complex meaning within a latticework of simple visual symbols. And through a web of art historical references, has managed to create something novel, enduring, and even fun.
Stephen Morris & Ron Wild at Red Head Gallery
by Katie Armstrong
Morris constitutes only half of The Map and the Territory, with his images serving as a kind of “territory,” while Ron Wild assembles them into a kind of “map.”
Kudos II / Canadian Sculpture Centre
by Rhiann Moore
Each creation at Kudos II stood out in their own unique way and a must-see for anyone interested in contemporary sculpture.
2116: Art of Leverage / Gallery 1313
by Sunny Kim
people crowded Gallery 1313 to see Emerging Young Artist‘s new show, 2116: Art of Leverage – a show highlighting young artists who are beginning their artistic careers
Interview with Erin Loree
by Simon Termine
This interview took place on the occasion of Erin Loree’s first solo show at Angell Gallery, titled Midnight Bloom.
About Face / Nicholas Metivier Gallery
by David Saric
The viewer is encouraged to contemplate the various narratives presented throughout the gallery, as the diverse physiognomies offer a wealth of potential psychological states and perspectives.
Sadko Hadzihasanovic: Centre of Gravity at Paul Petro
by Rhiann Moore
He spoke about the connection between outsiders and printmaking, as each needs to be treated with a certain delicacy; the outsider must be approached as lightly as the drypoint in order to be properly comprehended.
Charles Matton: A Photographic Survey
by Katie Lawson
each image demands that the viewer recognize the simplistic beauty which surrounds us in our everyday lives, true or invented.