by Emese Krunák-Hajagos
Why don’t we try to observe the art alone with no witnesses, at 3 am, in the middle of a sleeping city. Make it a fully immersive and memorable experience!
Interview with Apollonia Vanova about her new Sleepover Art Gallery
Category: FEATURES
Hito Steyerl: This is the Future at the AGO
by Sunny Kim
we can’t help but adapt not only our movements and postures to the installations, but also our minds to the dizzying and eclectic montages of images. Thanks to Steyerl, we are now ready for the future.
Jack Butler’s Fatemaps at the Red Head Gallery
by Keren Sedmina
His interdisciplinary method as a visual artist continues to shape our perception of human biological life and death cycles through the medium of performative drawings and representations of medical models.
Interview with Vikka at Urban Gallery
by Victoria Rainoff
I wanted to see Street Art internationally. Toronto is a perfect city for that, renowned for its Street Art. I think my artworks were well placed here.
Rafael Yaluff: Prayers at Corkin Gallery
by Keren Sedmina
In his paintings Yaluff captures the objects and emotionally compels the spaces and places that have shaped his identity and consciousness.
HEARTH opens with New Strata
by Chelsea Rozansky
Steeped in HEARTH’s inception are questions about private property, ownership and community. It is a space for those who can’t rely on existing institutional structures to provide a home for their artwork
Jagdeep Raina: I Promise / Cooper Cole
by Chelsea Rozansky
So what does it mean if you’ve seen paradise and it tasted so good, but you knew it’s a promise about to break, already lost?
Florilegium by Daniel Hutchinson at Angell Gallery
by Olivia Musselwhite
The pastoral quality of Hutchinson’s paintings brings repose to the mind with shimmering scenes that could disappear at a next glance.
Hugh Alcock: In the Dusk of the Woods / Gallery 1313
by Mikael Sandblom
Alcock see trees as “emblematic of the natural world, that is, the world independent of us and our narrow interests and preoccupations.”
Age of You / MOCA
by Hugh Alcock
It is provocative, intelligently thought out and brimming with great art. MOCA has provided a grand exhibition to reflect on all the disruptive changes our society is experiencing.
Stephen Appleby-Barr at Nicholas Metivier Gallery
by Rachel Williams
The exhibition is a glimpse into what the world could look like with a touch of fantasy. Seen through the artist’s looking glass, these pieces reflect worlds made of fire, worlds made of snow and clouds.
Weather Amnesia at Jackman Humanities Institute
by Olivia Musselwhite
Reality is changing and this exhibit pushes the viewer to face the issue of the declining environment, which has been so easily ignored.