by Emese Krunák-Hajagos
Arcuri’s and Van Der Hout’s work resonate with our state of mind—depression, repression and confusion—wonderfully well. Their photographs engage our minds and shake us to the core – and will stay with us for a long time.
by Bronwen Cox
Tsui invites the viewer to enter a world on the fringe of reality and imagination. His ability to involve history, life experience, and imagination simultaneously creates an intriguing exhibition
by Mikael Sandblom
this article discusses our relationship to the urban environment during the pandemic through Gordon Wenzel, Shaleen Ladha and Stathis Vlahos virtual exhibitions
by Bronwen Cox
Mathieu’s work draw inspiration from his homeland, Haiti, depicting political, personal, and historical subjects.
by Olivia Musselwhite
Dickie’s works, as Cooper Cole Gallery states, subverts the way that we relate to objects and what we think sculpture is.
by Hugh Alcock
These are masterful works of photography. While focusing on his personal experience Rush has nevertheless managed to express something of universal significance
by Olivia Mariko Hsuen-Ferris
I would love to spend a day in one of these scenes, disconnecting from my Earthly stresses
by Olivia Musselwhite
Häussler describes the work as exhibiting the process of forgetting while also giving the freedom to reconstruct memory.
by Hugh Alcock
the works share an ineffable aesthetics that Roenisch has managed to grasp. A delightful show.
by Bronwen Cox
Nostalgic, wistful, and whimsical all at once, these works evoke a series of strong reaction in the viewer, each setting at once familiar and unfamiliar.
by Olivia Mariko Hsuen-Ferris
The works in this exhibition appear to have slipped into common themes of emotional intimacy and human connection. I like to think that the environment of invitation has resulted in these themes
by Emese Krunák-Hajagos
The Earth Day exhibition is a tradition for the Canadian Sculpture Centre, as they present a group show organized around this theme each year. It always addresses spring
