by Chelsea Rozansky
Steeped in HEARTH’s inception are questions about private property, ownership and community. It is a space for those who can’t rely on existing institutional structures to provide a home for their artwork
by Chelsea Rozansky
So what does it mean if you’ve seen paradise and it tasted so good, but you knew it’s a promise about to break, already lost?
by Olivia Musselwhite
The pastoral quality of Hutchinson’s paintings brings repose to the mind with shimmering scenes that could disappear at a next glance.
by Mikael Sandblom
Alcock see trees as “emblematic of the natural world, that is, the world independent of us and our narrow interests and preoccupations.”
by Hugh Alcock
It is provocative, intelligently thought out and brimming with great art. MOCA has provided a grand exhibition to reflect on all the disruptive changes our society is experiencing.
by Rachel Williams
The exhibition is a glimpse into what the world could look like with a touch of fantasy. Seen through the artist’s looking glass, these pieces reflect worlds made of fire, worlds made of snow and clouds.
by Olivia Musselwhite
Reality is changing and this exhibit pushes the viewer to face the issue of the declining environment, which has been so easily ignored.
by Steve Rockwell
Robert Birch has been celebrating thirty years of operating an art gallery this year.
by Olivia Musselwhite
Perera’s striking travelers are a beautiful sight, both of this world while simultaneously otherworldly, clad in armor and equipped with defensive weapons to face the threats of the present, and of those unforetold in the future.
by Phil Anderson
I have so many concepts in development to grow the fair; you’ll just have to come back next year to see those plans start to unfold.
by Simon Termine
We are a bridge between ideas and creativity and the people who can support those ideas economically. It is our job to make sure the interchange can continue because, in the end, it would be a sad society without art.
by Keren Sedmina
Undomesticated transforms everyday domestic objects “stripped of their familiarity to access deeper levels of relationship to our surroundings.”
