by Hugh Alcock
It is the tension between the physical and the psychological that makes her work gripping. Hers is a powerful unique voice, wonderfully showcased by Christopher Cutts’ judicious selection.
Rae Johnson at Christopher Cutts
Category: FEATURES
How COVID-19 is Impacting the Art Galleries in Toronto
by Phil Anderson
The impact is felt by many art galleries as people can’t visit and sales for art would be difficult as the whole economy is now in taters.
Eli Langer at Clint Roenisch
by Mikael Sandblom
We’re missing a lot by not seeing this show in person because the work involves the material, and craft of painting. It’s the kind of work you want to get up close to.
Sadko Hadzihasanovic at Paul Petro
by Kexin Wu
the exhibition showcases a selection of work that exposes and surveys the social engagements of children in weaponized violence.
Oscar Figueroa’s BLUE at Robert Kananaj Gallery
by Maya Burns
We continue the creative process in our experience of the blue by generating our own meaning and our own attachments.
Interview with Gordon Shadrach at United Contemporary
by Phil Anderson
The exhibition has a lot to say and proves Shadrach to be an accomplished artist to watch and listen to.
Carol Wainio at Paul Petro
by Hugh Alcock
There is little doubt that Wainio is a rarely gifted artist with an uncanny ability to conjure out of paint a spellbinding object, rich in possibilities.
Jeffrey Chong Wang at Gallery House
by Talia Williams
The oeuvre of Jeffrey Chong Wang is whimsical and striking. He paints his protagonists as fair-skinned and idealized in style, looking out into the distance with lost and captivating eyes.
Megan Rooney at MOCA
by Emily LaBarge
But something is really wrong. The mural is alive, but it won’t always be.
Kathryn Bemrose’s Birdland
by Steve Rockwell
The birds in the Bemrose exhibition flit in and out of camouflage, challenging the eye, at times, to separate plumage from foliage. It’s an unbridled dance between the figure and its descent into the oblivion of abstraction.
Travis Shilling at Ingram Gallery
by Olivia Musselwhite
These realistic, yet otherworldly scenes, bring the opportunity of furthering our conversation on extremely relevant topics in Canada.
RAW at Gardiner Museum
by Simon Termine
The evolving quality of the exhibition encourages multiple visits to see how the pieces progress over time. Ultimately, it is more so the development of the clay than the final product that evokes curiosity and engagement.