September 10 – November 6, 2011
Opening: Sunday, September 11, 2 – 4 p.m
The Varley Art Gallery of Markham
His pictures of this sprawling socio-geographical network are a remarkable testament to its past glory and future potential
September 6 – October 7, 2011
Roadside Attractions
Artists in a Fishbowl is a site-specific installation and performance work. The show-front banner proclaims that what is seen when peering into the fishbowl is Live and Alive.
September 14 – October 23, 2011
Opening: Wednesday, September 14, 5-9pm
There will be a FREE shuttle bus departing from OCAD University
(100 McCaul Street) at 6:30pm, and returning for 9pm
Blackwood Gallery
The exhibition will feature contemporary art in all media, including work generated by four decades of Art & Art History program alumni
September 9 – October 29, 2011
Opening:Friday, September 9, 2011, 7:00 pm
Mercer Union, A Centre for Contemporary Art
This exhibition is a search for a complex language to examine the impact of the large-scale infrastructural developments in Dubai, mapping their effect on how the location’s history and culture are being shaped.
September 14 – 18, 2011
Opening: Wednesday, September 14, 2011, 7 pm.
Couvert $80 per person
Nikola Rukaj Gallery
Under the Jerusalem Sky is a contemporary exhibition inspired by the beauty and allure of Jerusalem, showcasing extraordinary work in acrylic, textiles, silver, photography, beadwork and Judaica.
Saturday, September 10, 2 – 6 pm
276 Crawford Street, Toronto
through drive way towards garage
ANTIX – Centre for Art Crime and Neoism
I’m scheduled for a two months European tour of performance, video, installation works starting October 1st in Hungary. Come to wish good luck, shake hands, kiss, say goodbye and to witness a farewell blood x -performance…
September 14 – October 14, 2011
Opening Remarks: Rossana Magnotta, Sept 17, 1:30pm
Artist Talk (Canadian Art/Gallery Hop) Sept 24, 2pm
CANADIAN SCULPTURE CENTRE
Vivot’s sculptures are full of humanity as she often depicts families, couples (Lover’s bench), mothers, and children. The large scale of her work calls for interaction with her viewers who naturally enjoy occupying the same space
as the bronze figures.