Tricia Middleton:The Call Is Coming from Inside the House

November 11 – December 10, 2011
Opening: Friday, November 11, 7 pm
Artist’s talk: Saturday,November 12, 2 pm
Mercer Union,
A Centre for Contemporary Art
1286 Bloor Street West
Toronto ON, M6H 1N9
T: 416.536.1519
E-mail: sarah@mercerunion.org
www.mercerunion.org
Hours: Tues-Sat 11-6

The Call Is Coming from Inside the House is comprised of a series of text-based sign paintings (50 in total), to be presented within a functional workspace as thinkspace or constructed installation.

This installation includes an elaborate workstation, unfinished works, the attendant runoff of this work, alongside a 70s faux baroque sofa covered in vintage bed sheets. The signs are casually mounted on the wall as though they were ideas still in the process of being organized. The signs convey various themes and ideas pertaining to philosophy or art criticism, all veering towards occasionally extreme positions in one form or another. The accumulation and juxtaposition of these ideas gradually come across as more unhinged and hopeless when taken in context with one another. When taken cumulatively and in sequence, these signs can be read as a disjointed painted archive featuring original writing, found language, quotes and misquotes. Certain references will be apparent to certain readers as direct quotes or detourned slightly towards new meanings, while much of the original text and blatant misquotes are presented through contemporary colloquial diction popularized by teenaged girls. The end result is the conflation of informal and colloquial voices mixed with material culled from monumental thinkers of highly determined thoughts including Engels, Nietzsche, Breton and Debord with highlights from Kant and Adorno. These signs project something that is highly dissimilar to the more familiar, professional and fit for the public voice that is usually presented around artwork or criticism.

Originally from Vancouver, Tricia Middleton lives and works in Montreal. Tricia Middleton is the 2010 winner of the Victor Martyn Lynch-Staunton Award in the visual arts category.

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