Through the title and the percussive musicality in his paintings, Robert Chandler showcases colorful abstract works that are geometrically distinct, and intuitively spontaneous.
Opening Reception, November 7, 2015
Most of his paintings are very recent, dated 2015, but perhaps the most accomplished painting comes from 2008. “Jump Start” has just enough space for his marks to move around freely, whereas some of his smaller works lack this advantage of space. Because of the larger space, the mark making is created with more ease and confidence. Intuition and spontaneity characterize “Jump Start” – it’s definitely one of the most resolved and satisfying painting in his collection. Compared to a similar piece painted in 2006, “Crush”, “Jump Start” is more developed in the sense that, while utilizing the same palette as two years prior, there is better interplay between each colour. The neon green in Jump Start is thoughtfully integrated into the composition, to create interesting depth and shapes. Chandler’s execution of geometric layers allows the paintings to evoke a sense of urban cityscape: not only of the aesthetic but also of the mindset of urban dwellers. Like in our busy city there is non-stop flow of stimulation in the painting, both positive and negative.
Robert Chandler, Crush, 2006, acrylic on canvas 52″ x 50″
Robert Chandler, Jump Start, 2008, acrylic on canvas 48″ x 60″
With the most recent paintings Chandler has begun experimenting with incorporating figurative forms in his paintings, as well as using a more minimal palette and smaller surfaces. “A New Deal” and “Little Heretic” effectively incorporate both abstract and figurative elements that there is just enough conversation for viewers to be intrigued. Some of his more figure-focused paintings, such as”Tomorrow’s Trophy” or “Victor’s Rag”, provide a more outlined narrative, guiding the dialogue between the work and the observer. Even though on a small surface, the 2013 abstract “Scratched Entry” manages to effectively use its negative space to create breathing room in the composition.
Robert Chandler, A New Deal, 2015, acrylic on canvas 24″ x 18″
Robert Chandler, Tomorrow’s Trophy, 2015, acrylic on canvas 16″ x 12″
The success of “A New Deal” and “Little Heretic” is a reminder that a skilled painter like Chandler is able to incorporate to the new figurative works his mature mark making and composing abilities. It is always intriguing to investigate the different ways in which paintings change through time. For painters, even a few months can mean a fresh set of perspective and inspirations that drastically change the mood of the pieces. I could personally spend hours walking back and forth between Chandler’s “Jump Start” and “Crush”, comparing every little detail digging myself deeper into the layers as I explore.
Robert Chandler, Little Heretic, 2015, acrylic on Canvas 10″ x 8″
Robert Chandler, Jump Start, 2008, acrylic on canvas 48″ x 60″, Detail
Text and photo: Sunny Kim
*Exhibition information: November 7 – 28, 2015, 401 Richmond Street West, Suite B 20, Toronto. Gallery hours: Tue – Sat, 12 – 6 p.m.