September 5, 2012 – January 6, 2013
Public Launch Party: Wednesday, September 5, 6:30 – 9:30 p.m.
ART GALLERY OF ONTARIO
317 Dundas Street West
Toronto, ON M5T 1G4
T: 416.979.6648
www.ago.net
Hours: Tue & Thurs–Sun 10–5:30, Wed 10–8:30
Jo Longhurst from UK was announced as the winner in a ceremony on November 1st, as part of AGO’s 1st Thursdays.
The Grange Prize Announces 2012 Shortlist for $50,000 Prize
Four photographers shortlisted from Canada and U.K.; winner to be chosen by public vote
The Art Gallery of Ontario (AGO) and Aeroplan, an Aimia company, announce the four finalists for The Grange Prize 2012, the only major Canadian art prize whose winner is chosen by public vote. Two artists from Canada and two from the United Kingdom have been shortlisted to compete for the $50,000 prize. Online voting begins today at www.thegrangeprize.com and is open until 11:59 p.m. on October 30, 2012. The winner will be announced on November 1, 2012 at a public party at the AGO.
Selected by a jury of leading Canadian and British photography experts, the artists on this year’s shortlist share a fascination with the world of images that surround us every day — from fashion editorial and sports photography to landscape images and crime scene documentation.
The Grange Prize 2012 Shortlist:
Jason Evans was born in Holyhead, Wales. His wide ranging photographic practice includes fashion editorial, art photography, online projects, and collaborations with musicians including Caribou, Four Tet, and Radiohead. His online project The Daily Nice features one image per day that makes him smile, with no archive. Evans’ series Strictly, featuring portraits of highly-styled young men on the suburban streets of the U.K., is part of the collection of the Tate.
Jason Evans, Untitled from Strictly, 1991, styling by Simon Foxton.
Emmanuelle Léonard was born in Montréal. A graduate from the Université du Québec à Montréal, she has exhibited widely at the Musée d’art contemporain de Montréal, Kunsthaus Dresden and Neuer Berliner Kuntsverein in Germany, and Mercer Union in Toronto. Her works tackle the persuasive nature of the photographic image, questioning such tenets as artistic and legal authority, the nature of evidence, and perceptions of beauty. In 2005, she was the recipient of the Pierre-Ayot Award, presented by the city of Montréal for excellence in visual arts.
Emanuelle Leonard, Search, rue Malicorne, Anjou, 2007 inkjet print, 122 cm x 92 cm
Jo Longhurst was born in Essex, U.K. and has gained international recognition for her work, having exhibited in London, Paris, and Berlin, including at Documenta (13), currently on view in Kassel, Germany. A PhD graduate from the Royal College of Art, Longhurst’s work investigates ideas of physical perfection and self-creation, capturing the striking portraits of elite gymnasts and Whippet show dogs in her two primary bodies of work Other Spaces and The Refusal.
Jo Longhurst, Suspension (1), 2012, vinyl, 366 x 218 cm (dimensions variable).
Annie MacDonell is a Toronto-based visual artist working in a variety of media. Moving between appropriation, re-animation and deconstruction, her practice includes photography, film, installation, sculpture, and sound. She studied photography at Ryerson’s School of Image Arts, followed by an MFA at Le Fresnoy, Studio National des Arts Contemporains, in France. Her photos have been shown at the Art Gallery of Windsor, the AGO, The Power Plant, and Le Grand Palais in Paris.
Annie MacDonell, Hoarfrost at Black Diamond, 2011, 27” x 20”, book pages and tape.
The four finalists were selected by a nominating jury led by Sophie Hackett, assistant curator of photography at the AGO, and including Sara Knelman, a London, U.K.-based writer and curator; Charlotte Cotton, a prominent writer and curator; and U.K.-based artist duo Adam Broomberg and Oliver Chanarin.
“These four artists have all made such a strong impact in recent years. By appropriating, re-editing and re-presenting photographic and filmic material, they reinvigorate our relationship with photography,” said Hackett. “All of the nominees have been through a period of intense exhibition activity recently; The Grange Prize will allow each of them a unique opportunity to embark on new research and develop new projects.”
The winner will receive a $50,000 cash prize. The three remaining finalists will each receive a cash honorarium of $5,000, dedicated to the research, creation, and production of new work. All four finalists will receive an artist residency, one of the unique features of The Grange Prize compared with other international art competitions. In the coming months, Jason Evans and Jo Longhurst will be joining the AGO’s Artist-In-Residence program in Toronto, and Emmanuelle Léonard and Annie MacDonell will travel to the UK to conduct research and explore new avenues of practice.
To celebrate the four finalists and to introduce the public to these talented artists, exhibitions of their work will be mounted in both Canada and the U.K. The Art Gallery of Ontario will open its exhibition with a public launch party on September 5, 2012. In the U.K., Canada House, in London’s Trafalgar Square, will celebrate the opening of its exhibition with a reception on September 27, 2012. Voting stations will be on site in each location to allow visitors to vote in person. Both exhibitions will be on view until January 6, 2013.
Each year, The Grange Prize nominates two photographic artists each from Canada and a partner country. Previous winners include Gauri Gill of India (2011), Canadian photographer Kristan Horton (2010), Marco Antonio Cruz of Mexico (2009) and Canadian photographer Sarah Anne Johnson (2008).
Updates, blog posts and more information about The Grange Prize can be found at www.thegrangeprize.com.
The Grange Prize is generously supported by The Canada Council for the Arts.
Programming Highlights for Grange Prize 2012
Grange Prize 2012 Public Launch Party
Wednesday, September 5, 2012, 6:30 – 9:30 pm
Walker Court at the Art Gallery of Ontario
Join the four shortlisted artists and jurors Sophie Hackett, Sara Knelman, and Charlotte Cotton for a celebration launching The Grange Prize 2012 exhibition at the AGO. Curated by Sophie Hackett, lead juror and assistant curator of photography at the AGO, the exhibition, which runs Sept 5. 2012 to Jan. 6, 2013, will feature works from all four finalists. Featuring a set by DJ Jaime Sin, video content, a cash bar, and presentations by each of the jurors, the launch is free to the public.
The Grange Prize 2012 Dialogues: Questions of Context: The Artists and Jurors in Conversation
Friday, September 7, 3 – 6 p.m.
Weston Family Learning Centre at the AGO
Members $10/Public $12/Students$8
Join us for the first of two stimulating panel discussions with the artists and jurors of The Grange Prize 2012. By appropriating existing images, placing familiar photographic genres in new contexts, and pushing the photographic print into the realm of the three-dimensional object, each of the four shortlisted artists is making exciting propositions about photography and its place in our lives today. Go in depth with each of the artists and jurors as they address key questions raised by The Grange Prize Exhibition, and explore the status of photography today. This panel will be moderated by Sophie Hackett, assistant curator, photography, AGO and Dr. Gaëlle Morel, curator, Ryerson Image Centre.
The Grange Prize 2012 Dialogues: The Impact of Art Prizes
Sunday, October 28, 3 - 4 p.m.
Art Toronto at the Metro Toronto Convention Centre
Free with admission to Art Toronto
Join moderator Sara Angel, writer and critic, and panelists Sophie Hackett, AGO assistant curator, photography and lead juror of The Grange Prize 2012; Murray Whyte, art critic for the Toronto Star; the AGO’s Turner Prize-nominated Artist-in-Residence Mark Titchner; and Sarah Fillmore, chief curator of the Art Gallery of Nova Scotia and the curator of the Sobey Art Award, for a wide-ranging discussion about the increasing prevalence of art prizes in Canada and internationally, and their effect, intended or otherwise, on artists, critics, curators, and institutions.