{"id":8604,"date":"2012-03-26T11:47:41","date_gmt":"2012-03-26T15:47:41","guid":{"rendered":"http:\/\/www.artoronto.ca\/?p=8604"},"modified":"2012-05-27T11:30:43","modified_gmt":"2012-05-27T15:30:43","slug":"matilda-aslizadeh","status":"publish","type":"post","link":"https:\/\/artoronto.ca\/?p=8604","title":{"rendered":"Matilda Aslizadeh: Still Life"},"content":{"rendered":"

\"\"<\/a>Still Life, 12\u2019X12\u2019 Video Installation, 3 minute continuous loop, 2012. Video Still<\/p>\n

April\u00a05\u00a0\u2013\u00a0May 26, 2012<\/strong>
\nOpening: Thursday, April 5, 5 – 8 p.m.
\nPARI NADIMI GALLERY<\/strong>
\n254 Niagara Street
\nToronto, ON, M6J 2L8
\nT:416-591-6464
\nE: info@parinadimigallery.com<\/a><\/p>\n

Pari Nadimi Gallery is pleased to announce a solo exhibition by Vancouver-based artist Matilda Aslizadeh.<\/p>\n

This new body of work, comprised of one video installation of stop-motion animation and a series of photographs, pays homage to a sub-genre of 17th century Dutch still-life painting named Vanitas or Memento Mori: images that were meant to remind viewers of the frailty of the body, of the transience of life and mortality. The video depicts a dense still life in which multiple narratives of life\u2019s waning are acted out. While some objects gradually decay, others are the victims of violence and surgical repairs. Others appear to grow younger or, like Dorian Gray, maintain their youth forever. The video focuses on the connection between our mortality and the concept of waiting\u2014a concept premised on linear thinking and a chronological organization of the world. Similarly, in time-based works, the audience conventionally waits for an event to transpire, a gesture to occur, a narrative to unfold and to be fulfilled. The different fruit and plants included in the composition are shot separately against a green screen then composited together into an epic conglomeration of different temporalities.<\/p>\n

The photographs focus on a smaller arrangement of fruit\/flowers and depict the passage of time by the superimposition of two frames from the process of decay, the earlier one appearing in ghostly silver evoking a daguerreotype. The photographs also contain visual references to traditional symbols of mortality from Vanitas paintings: the nearly imperceptible trace of a human skull in the flesh of a rotting peach, plastic dollar-store toy insects devouring a banana, and more.<\/p>\n

Aslizadeh\u2019s recent solo exhibitions includes \u201cPhantom Smile\u201d at Simon Fraser University Gallery, curated by Bill Jeffries (catalogue produced) Vancouver, Canada, and \u201cHero of Our Time\u201d at La Centrale Galerie Powerhouse, Montreal, Canada.\u00a0\u00a0 Her video installation and photographs were part of a group exhibition, \u201cWaiting For,\u201d at Centre A, Vancouver, Canada (January 14 \u2013 February 25, 2012).\u00a0 \u201cHero of Our Time,\u201d one of\u00a0 Aslizadeh\u2019s\u00a0 major video installations, has been included in a travelling exhibition, \u201cDiabolique,\u201d along with the works of artists Jake & Dinos Chapman, Dana Claxton, Douglas Coupland, Jeremy Deller, William Kentridge, Shirin Neshat (2009 to present).\u00a0 Aslizadeh\u2019s photographic works were part of a curated exhibition, \u201cThe Stalking of Absence,\u201d at BTAP\/ Tokyo Gallery, Tokyo, Japan (2010).<\/p>\n","protected":false},"excerpt":{"rendered":"

April 5 \u2013 May 26, 2012<\/strong>
\nOpening: Thursday, April 5, 5–8 p.m.<\/p>\n

PARI NADIMI GALLERY<\/strong><\/p>\n

focuses on the connection between our mortality and the concept of waiting <\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":1,"featured_media":8608,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[],"class_list":["post-8604","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-listings_archive"],"_links":{"self":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/8604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8604"}],"version-history":[{"count":15,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/8604\/revisions"}],"predecessor-version":[{"id":8610,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/8604\/revisions\/8610"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/8608"}],"wp:attachment":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}