{"id":7085,"date":"2012-01-25T14:21:56","date_gmt":"2012-01-25T19:21:56","guid":{"rendered":"http:\/\/www.artoronto.ca\/?p=7085"},"modified":"2012-03-11T12:20:58","modified_gmt":"2012-03-11T16:20:58","slug":"pierre-leguillon-features-diane-arbus","status":"publish","type":"post","link":"https:\/\/artoronto.ca\/?p=7085","title":{"rendered":"Pierre Leguillon features Diane Arbus"},"content":{"rendered":"<p style=\"text-align: center;\"><strong><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2012\/01\/Pierre-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-7084\" title=\"Pierre-2\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2012\/01\/Pierre-2.jpg\" alt=\"\" width=\"517\" height=\"346\" \/><\/a><\/strong>Pierre Leguillon Features Diane Arbus: A Printed Retrospective, 1960-1971. Collection Kadist Art Foundation. Foto: Prallan Allsten\u00a9 Prallan Allsten\/Moderna Museet<\/p>\n<p><strong>January 20 \u00a0&#8211; March 10, 2012<\/strong><br \/>\nOpening Reception: 20 January 2012, 7 p.m.<br \/>\n<strong>MERCER UNION, <\/strong><br \/>\n<strong>A Centre for Contemporary Art<\/strong><br \/>\n1286 Bloor Street West<br \/>\nToronto ON, M6H 1N9<br \/>\nT: 416.536.1519<br \/>\nE-mail: <a href=\"mailto:sarah@mercerunion.org\">sarah@mercerunion.org<\/a><br \/>\n<a href=\"http:\/\/www.mercerunion.org\/\">www.mercerunion.org<\/a><br \/>\nHours: Tues\u2013Sat 11\u20136<\/p>\n<p><strong><em>Pierre Leguillon features<br \/>\nDiane Arbus: a printed retrospective, 1960-1971<\/em><\/strong><\/p>\n<p>The exhibition brings together all the images commissioned to the New York photographer by the Anglo-Saxon press in the 1960s. Leguillon\u2019s exhibition will present the original pages of the magazines, which correspond to the first appearance of these photographs in publications such as <em>Harper\u2019s Bazaar, Esquire, Nova,<\/em> and <em>The Sunday Times Magazine<\/em>. While some of these photographs have become icons of contemporary America, others are yet to be discovered. The variety of subjects dealt with offers a wide perspective on Diane Arbus\u2019 talent, ranging from anonymous subjects to celebrity portraits of Norman Mailer, Jorge Luis Borges, Mia Farrow, Marcello Mastroianni, Madame Martin Luther King, children\u2019s fashion, to several photographic essays in which the images are credited or commented by the photographer herself (\u201cThe Vertical Journey,\u201d \u201cThe Full Circle,\u201d \u201cAuguries of Innocence.\u201d The unprecedented connections realized in Pierre Leguillon\u2019s display underline the currency of photography in contemporary art.<\/p>\n<p><strong>Pierre Leguillon<\/strong>lives and works in Paris, and currently has a solo museum exhibition at Mamco, Geneva. His widely acclaimed recent project, Pierre Leguillon features Diane Arbus: A Printed Retrospective, 1960-1971, has been previously presented by the Kadist Art Foundation, Paris; the Moderna Museet, Malmo; the Centre Regional de la Photographie, Douchy-les Mines and at De Hallen, Haarlem. Selected recent solo exhibitions, projects, presentations and performances have been held at Motive Gallery, Amsterdam; Mus\u00e9e du Lourve, Paris; Centre Pompidou, Paris; CAPC, Musee d\u2019Art Contemporain, Bordeaux; Song Song, Vienna; Air de Paris, Paris; Artists Space, New York; Temple Gallery, Philadelphia; CNEAI, Chatou; Ecole des Beaux-Arts, Bordeaux; Secession, Vienna and elsewhere.<\/p>\n<p>The exhibition has been generously supported by the Consulate General of France in Toronto and the United States Consulate General in Toronto.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>January 20  &#8211;  March 10, 2012<\/strong><strong><\/p>\n<p><\/strong><strong>MERCER UNION,<\/strong><br \/> <br \/>\n<strong>A Centre for Contemporary Art<\/strong><\/p>\n<p>The variety of subjects dealt with offers a wide perspective on Diane Arbus\u2019 talent, ranging from anonymous subjects to celebrity portraits <\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/artoronto.ca\/?p=7085\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":7084,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[],"class_list":["post-7085","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-listings_archive"],"_links":{"self":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/7085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7085"}],"version-history":[{"count":6,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/7085\/revisions"}],"predecessor-version":[{"id":8237,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/7085\/revisions\/8237"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/7084"}],"wp:attachment":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}