{"id":58079,"date":"2026-05-28T22:34:46","date_gmt":"2026-05-29T02:34:46","guid":{"rendered":"https:\/\/artoronto.ca\/?p=58079"},"modified":"2026-05-28T22:43:32","modified_gmt":"2026-05-29T02:43:32","slug":"paula-ner-dormiendo-at-contact","status":"publish","type":"post","link":"https:\/\/artoronto.ca\/?p=58079","title":{"rendered":"Paula Ner Dormiendo at CONTACT"},"content":{"rendered":"\n<p><strong>Cartographies of Return: Paula Ner Dormiendo and the Fragile Architecture of Belonging<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_1_dormeindo.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_1_dormeindo-1024x683.png\" alt=\"\" class=\"wp-image-58078\" style=\"aspect-ratio:1.4993027666220438;width:402px;height:auto\" srcset=\"https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_1_dormeindo-1024x683.png 1024w, https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_1_dormeindo-250x167.png 250w, https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_1_dormeindo-150x100.png 150w, https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_1_dormeindo-768x512.png 768w, https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_1_dormeindo-160x107.png 160w, https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_1_dormeindo.png 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Paula Ner Dormiendo,&nbsp;<em>Breakfast with Lolo<\/em>, 2025.<\/p>\n\n\n\n<p>Presented in the public space of Bramalea Ltd Community Park Paula Ner Dormiendo\u2019s <em>What Makes a House a Home?<\/em> offers a thoughtful meditation on migration, memory, and the emotional complexities of return. Developed from a 2022 family trip to the Philippines, fourteen years after immigrating to Canada, the exhibition transforms personal documentation into a broader reflection on belonging and placemaking. Through a series of photographs captured during this reunion, Dormiendo explores how ideas of home are shaped not only by geography but by memory, absence, and the passage of time.<\/p>\n\n\n\n<p>Rather than approaching home as a fixed location, Dormiendo honestly presents it as something unstable and continually renegotiated through a warm lens. Her photographs move between familiarity and estrangement, revealing the layered experience of revisiting places once intimately known. Streets, homes, family gatherings, and ordinary moments become charged with the awareness that time alters both places and the people who remember them.<\/p>\n\n\n\n<p>Her images resist spectacle in favour of observation. The photographs possess an understated intimacy that draws attention to small gestures and fleeting encounters. In doing so, they capture the texture of diasporic experience with remarkable sensitivity. The exhibition recognizes that returning to one\u2019s country of origin often involves confronting multiple temporalities at once &#8211; a powerful change between past and present and the imagined continuity between them.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_img_2_dormeindo.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"660\" src=\"https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_img_2_dormeindo-1024x660.png\" alt=\"\" class=\"wp-image-58077\" style=\"aspect-ratio:1.551531068717712;width:405px;height:auto\" srcset=\"https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_img_2_dormeindo-1024x660.png 1024w, https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_img_2_dormeindo-250x161.png 250w, https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_img_2_dormeindo-150x97.png 150w, https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_img_2_dormeindo-768x495.png 768w, https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_img_2_dormeindo-160x103.png 160w, https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_img_2_dormeindo.png 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Paula Ner Dormiendo, <em>Baguio Mountains<\/em>, 2025.<\/p>\n\n\n\n<p>Installed outdoors within a diverse suburban community shaped by migration histories of its own, the project acquires an expanded social resonance. Viewers encounter the work within public life rather than the isolation of a gallery setting. This accessibility reinforces the exhibition\u2019s central concerns with community and shared experience. Dormiendo\u2019s personal archive becomes an invitation for collective reflection upon the meanings of home, especially within multicultural urban environments where many residents navigate similarly layered identities.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_3_dormeindo.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"608\" src=\"https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_3_dormeindo-1024x608.png\" alt=\"\" class=\"wp-image-58075\" style=\"aspect-ratio:1.6842319621542028;width:437px;height:auto\" srcset=\"https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_3_dormeindo-1024x608.png 1024w, https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_3_dormeindo-250x149.png 250w, https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_3_dormeindo-150x89.png 150w, https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_3_dormeindo-768x456.png 768w, https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_3_dormeindo-160x95.png 160w, https:\/\/artoronto.ca\/wp-content\/uploads\/2026\/05\/rsz_1img_3_dormeindo.png 1173w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Paula Ner Dormiendo,\u00a0<em>&#8216;What Makes a House a Home&#8217; Installation<\/em>, 2025, @paulanerdormiendo.<\/p>\n\n\n\n<p>The photographs also engage with the broader relationship between image-making and memory. Dormiendo uses photography as a medium through which distance and longing become visible, her work acknowledging the impossibility of fully recovering the past while still affirming the emotional necessity of return. The camera records moments of connection even as it reveals their transience.<\/p>\n\n\n\n<p>Ultimately, <em>What Makes a House a Home?<\/em> carries itself through its own restraint and sincerity. Dormiendo movingly avoids reducing migration to either nostalgia or loss, but instead, she offers a nuanced portrait of belonging as something carried across borders and sustained through relationships, recollection, and acts of return. The exhibition reminds viewers that home often exists less as a singular place than as an evolving emotional landscape shaped by memory, family, and the enduring desire for connection. In Dormiendo\u2019s photographs, home survives, ever so brightly and fragile as inheritance is continually remade through remembrance, distance, and love.<\/p>\n\n\n\n<p>Yehyun Lee<\/p>\n\n\n\n<p>Images are courtesy of CONTACT Photography Festival.<\/p>\n\n\n\n<p>*Exhibition information: Paula Ner Dormiendo\u2019s <em>What Makes a House a Home?<\/em> January 1 \u2013 31, 2026, Bramalea Ltd Community Park. The exhibition is part of CONTACT Photography Festival 2026.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>by Yehyun Lee<\/strong><br \/>\nShe explores how ideas of home are shaped not only by geography but by memory, absence, and the passage of time.<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/artoronto.ca\/?p=58079\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":58076,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,276],"tags":[],"class_list":["post-58079","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-yehyun-lee"],"_links":{"self":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/58079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=58079"}],"version-history":[{"count":9,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/58079\/revisions"}],"predecessor-version":[{"id":58088,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/58079\/revisions\/58088"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/58076"}],"wp:attachment":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=58079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=58079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=58079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}