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<\/a><\/figure>\n<\/div>\n\n\nL-R: Tom Hodgson, Christopher Cutts, Kazuo Nakamura, and Ray Mead (archival photograph)<\/p>\n\n\n\n
Founded in the 1950\u2019s, Painters 11 gained recognition for introducing abstraction to Canadians through a variety of styles and techniques, drawing direct inspiration from the American abstract art movement through artists such as Willem de Kooning (1904-1997), Jackson Pollock (1912-1956), Franz Kline (1910-1962), and Mark Rothko (1903-1970). Each member brought forth a distinct perspective, yet their shared objective was evident: to promote abstract art through innovative experimentation and collective inspiration. Early exhibitions by the Painters 11 were notable for their energy and variety, drawing attention from critics and art lovers alike.<\/p>\n\n\n\n
Five key members of the Eleven namely William Ronald (1926-1998), Harold Town (1924-1990), Ray Mead (1921-1998), Tom Hodgson (1924-2006) and Kazuo Nakamura (1926-2002) currently in a group show titled 5\/11<\/em> at Christopher Cutts Gallery all played an important role in shaping Canadian art history by promoting the idea that a collective of artists could push the envelope more effectively than individuals working in isolation.<\/p>\n\n\n\n The exhibition showcases various works from each decade spanning the 1950s to the 1990s. Nakamura’s watercolours are exquisite little gems of early landscapes that he produced at the beginning of his career.<\/p>\n\n\n Kazuo Nakamura, Untitled, 1953, watercolour on paper, 15.5 x 22 inches<\/p>\n\n\n\n Hodgson, a master of figurative drawing, also excelled in the use of watercolour to achieve abstraction.<\/p>\n\n\n Tom Hodgson, Untitled, 1964, watercolour on illustration board, 25 x 27 inches<\/p>\n\n\n\n Both Mead and Ronald developed a style that became their signature throughout their careers.<\/p>\n\n\n William Ronald, Catherine’s First Prayer (The Knockout Punch), 1997, acrylic on canvas, 72 x 72 inches<\/p>\n\n\n Ray Mead, Untitled, 1986, acrylic on canvas, 52.5 x 65.5 inches<\/p>\n\n\n\n In contrast, Town began with abstract painting and evolved his imagery over time, transitioning from his Toy Horse<\/em> series and Muscleman series<\/em> to drawings of Famous Individuals<\/em>, consistently challenging the boundaries of art and abstraction.<\/p>\n\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n\n<\/a><\/figure>\n<\/div>\n\n\n