{"id":4328,"date":"2011-10-18T23:55:25","date_gmt":"2011-10-18T23:55:25","guid":{"rendered":"http:\/\/www.artoronto.ca\/?p=4328"},"modified":"2012-02-13T13:43:16","modified_gmt":"2012-02-13T18:43:16","slug":"veiled","status":"publish","type":"post","link":"https:\/\/artoronto.ca\/?p=4328","title":{"rendered":"VEILED"},"content":{"rendered":"
\"\"<\/a><\/span><\/span><\/strong><\/div>\n
Grace Ndiritu, Still Life Series: White Textiles, 2005-07, photograph from video. Image: Courtesy the artist and The Agency Gallery, London<\/span><\/span><\/div>\n
\u00a0<\/span><\/span><\/strong><\/div>\n
October 12, 2011\u00a0– February 12, 2012<\/span><\/span><\/strong><\/div>\n
Opening: Wednesday, November 9th, 7-8:30pm<\/span><\/span>
\nArtist talk<\/span><\/span>\u00a0with Andrew McPhail and <\/span><\/span>Tazeen Qayyum 6-7pm<\/span><\/span><\/div>\n
TEXTILE MUSEUM OF CANADA<\/strong>
\n55 Centre Avenue
\nToronto, ON, M5G 2H5
\nT: 416.599.5321 x. 2239
\nE: alopes@textilemuseum.ca<\/a>
\nwww.textilemuseum.ca<\/a>
\nHours: daily 11-5, Wed 11-8<\/div>\n

Curated by Sarah Quinton<\/strong>.<\/span><\/span><\/p>\n

Veiled focuses on three contemporary artists, whose work includes video, performance, sculpture and installation, building on the Textile Museum\u2019s investigations of the flow of contemporary expression in a globalized context. <\/span><\/span><\/p>\n

Andrew McPhail, Grace Ndiritu and Tazeen Qayyum use the idea of a veil as a poetic device for the investigation of public vs. private space, protection and intimacy. Together, their work examines the act of veiling the body not only as a material and physical gesture, but also as an emotional and personal process.\u00a0 <\/span><\/span><\/p>\n

Grace Ndiritu<\/strong> makes ‘hand-crafted videos’ and ‘video paintings’ that articulate the power of a small piece of cloth as the artist wraps it around her body in movements that transform it into a turban, a burka, a scarf, a shawl, referencing a 1950s housewife or a 21st-century rap artist or Egyptian belly dancer. The veil can preserve modesty or it can claim erotic connotations, and Ndiritu directs the transformative capacity of cloth to both conceal the body and make it visible. <\/span><\/span><\/p>\n

Andrew McPhail <\/strong>has spent over 4 years making a lace-like veil titled all my little failures out of thousands of systematically stuck-together Band-Aids. The artist\u2019s obsessive assemblage of ordinary first aid supplies creates a heartrending yet humourous \u2018second skin\u2019 \u2013 a massive, flesh-like body covering that might be seen as a visualization of chronic disease such as HIV, which McPhail has been living with since 1993. all my little failures calls attention to the healing capacity of touch, protection and personal safety.\u00a0 <\/span><\/span><\/p>\n

Tazeen Qayyum<\/strong> is a contemporary miniature painter. She paints on rubber hot water bottles and canvas ice bags \u2013 mass-produced objects that are designed to tend to the distressed body. Subtly altered and embellished with culturally symbolic hand-painted designs that respond to stories of migration, class and race shared with her by women from around the world, these objects are turned \u2018inside-out\u2019 to portray intimacies that were once veiled and protected.\u00a0 <\/span><\/span><\/p>\n

A series of related programs including a seminar, workshop and curator\u2019s tour will be held throughout the duration of the show.\u00a0\u00a0For more information, visit www.textilemuseum.ca<\/a><\/span><\/span><\/p>\n

\u00a0<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

October 12, 2011 – February 12, 2012<\/strong>
\nOpening: Wednesday, November 9th, 7-8:30pm<\/p>\n

TEXTILE MUSEUM OF CANADA<\/strong><\/p>\n

Together, their work examines the act of veiling the body not only as a material and physical gesture, but also as an emotional and personal process<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":1,"featured_media":4300,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[],"class_list":["post-4328","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-listings_archive"],"_links":{"self":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/4328","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4328"}],"version-history":[{"count":22,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/4328\/revisions"}],"predecessor-version":[{"id":7491,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/4328\/revisions\/7491"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/4300"}],"wp:attachment":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4328"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4328"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}