{"id":16328,"date":"2012-11-07T11:37:30","date_gmt":"2012-11-07T16:37:30","guid":{"rendered":"http:\/\/www.artoronto.ca\/?p=16328"},"modified":"2012-12-09T12:06:28","modified_gmt":"2012-12-09T17:06:28","slug":"napoleon-brousseau-returning","status":"publish","type":"post","link":"https:\/\/artoronto.ca\/?p=16328","title":{"rendered":"Napoleon Brousseau \/ Returning"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2012\/11\/rsz_napo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-16309\" title=\"rsz_napo\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2012\/11\/rsz_napo.jpg\" alt=\"\" width=\"167\" height=\"259\" srcset=\"https:\/\/artoronto.ca\/wp-content\/uploads\/2012\/11\/rsz_napo.jpg 385w, https:\/\/artoronto.ca\/wp-content\/uploads\/2012\/11\/rsz_napo-96x150.jpg 96w\" sizes=\"auto, (max-width: 167px) 100vw, 167px\" \/><\/a><\/p>\n<p><strong>November 8 &#8211;\u00a0December 8, 2012<\/strong><br \/>\nOpening Reception: Saturday November 10, 4 &#8211; 8 p.m.<br \/>\n<strong>ROBERT KANANAJ GALLERY<\/strong><br \/>\n1267 Bloor St. W.<br \/>\nToronto, ON, M6H 1N7<br \/>\nT: 416.289.8855<br \/>\nE: info@robertkananajgallery.com<br \/>\nwww.robertkananajgallery.com<br \/>\nHours: Tues\u2013Sat 11\u20136 p.m.<\/p>\n<p><strong>NAPOLEON BROUSSEAU<\/strong><br \/>\n<strong>Returning &#8211; Le Fantome de la Memoire<\/strong><\/p>\n<p>Portraits traditionally portray a subject. At the outset of this series I named my portraits Anybody, Somebody, Everybody first and then went looking for subjects I didn\u2019t know in the process of my painting.<\/p>\n<p><strong>The Method Meditative Rolling, Reckless Grinding, Poetic Brushing<\/strong><\/p>\n<p>These paintings are created mainly through a random system of rotary painting. I hand cut the rollers to rotary print a repetitive pattern. This style of working, I call RGB- Roll, Grind, Brush. Repeat, until the subject revealed itself.<\/p>\n<p>In a shamanic-like meditative process I simply keep rolling layers of paint using multiple colors at once until a face or scene emerges. At this point I seal the surface with epoxy. The next stage is searching for details using a grinder which is more random and chaotic. The roller sets a representational space in a forward and backward motion, the grinding accesses lost areas in a left to right reckless chaotic motion. It is alternatively static then chaotic, a particle then a wave. The subjects themselves can be elusive shape shifters. Searching for the subject in the painting can take a long time, such as Lady RGB which took over three years to complete.<\/p>\n<p><strong>Le Fantome De La Memoire <\/strong><\/p>\n<p>The paintings portray apparitions, chimeras, real fragments from the imaginal realms; waking dreams, spectre\u2019s, phantasms, nebulous recollections, ghost portraits dancing between dimensions and meanings. In a world of hyper real imagery, they are the world view of people with facial blindness. They are portraits of eidolons- spirit images of living persons. The titles simply set a mood too begin the search for the subject. The works are titled with a subtitle that gives you an insight into what motivated the meditative rolling search.<\/p>\n<p>Napoleon Brousseau<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>November 8 &#8211; December 8, 2012<\/strong><br \/>\nOpening: Saturday November 10, 4-8 pm<\/p>\n<p><strong>ROBERT KANANAJ GALLERY<\/strong><\/p>\n<p>created  through a random system of rotary painting<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/artoronto.ca\/?p=16328\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":16310,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[],"class_list":["post-16328","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-listings_archive"],"_links":{"self":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/16328","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16328"}],"version-history":[{"count":4,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/16328\/revisions"}],"predecessor-version":[{"id":16967,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/16328\/revisions\/16967"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/16310"}],"wp:attachment":[{"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16328"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16328"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}