by Alice Pelot
Pien’s engaging installation is not a devastating, vulnerability-inducing ride, but it is an effective metaphor, and an experience with a resonating narrative drawing attention to political crisis.
by Ella Gorevalov
The message they send is simple: we’re all living in this less-than-perfect city, but we love it for all of it’s flaws. I feel that way. Don’t you?
March 24, 2016 / 6:30 – 9:30 pm
by Phil Anderson & Meghan O’Callaghan
With these artists, their art, I only expect further success for the dynamic collective at Propeller.
by David Saric
Hutchinson’s work moves beyond easy categorization to embody an essence of painting, one that looks beyond customary art-historical practices to something less definable, and immediately beautiful.
by Emily Lawrence
Baleful may evoke heavy themes, but the idea that inanimate objects can live, die, and experience reincarnation (or in this case, get repurposed into works of art) is a thoughtful and optimistic concept.
by Meghan O’Callaghan
Marco Bertuzzo has poignantly reminded us that art should be slowly digested, a process that allows one to absorb all it’s veiled meaning.
by Alice Pelot
Everingham’s practice is a successfully productive paradox in which he is both a storyteller and an abstract painter.
March 19, 2016, 2 – 6 pm / Gallery 1313
by Phil Anderson
All the works seemed to have pleasing merits that held the exhibition together.
by Simon Termine
Dean effectively assembles industrial and mundane objects to depict convincingly fantastical settings and crafty transitions, blurring the distinction between the realistic and the imaginary.
