With Bed Island, Nadia Belerique has created an atmosphere conducive to the process of self-awareness, wherein moments of vulnerability and autonomy may be recognized.
Project Gallery successfully allows the character of each artist to speak for itself without any generalizations about the experience of being female, while also maintaining a succinct curatorial vision.
The multidisciplinary practice of Butler pushing the boundaries and definitions of art world models. The travelling studio/party forms a much needed community space and entertaining activity.
Throughout Just a Sliver of the Room, the artist challenges the widespread impression that a contemporary gallery acts as a passive repository for current art, by constructing an active domain for progressive thought.
Our presence here in this landscape is temporary in comparison to the power and magnitude of our natural world. Our reverence is rightfully demanded and deserved in Pratt’s exhibition.
The dramatic meaning of the photographs are juxtaposed with the way of the dancers’ performance, with their peacefully and elegantly intertwining bodies.
Ko expresses frustration with our approaching doom as it is not an external force, it is one of natural asphyxiation by pollution, one that could be stopped, but that will never be taken seriously in the face of other potential apocalypses.
The two exhibitions exist in the gallery as a harmonious pairing – Neubauer’s minimal palette is effectively juxtaposed with the inundation of colours in Larsen’s work.