Interview with Amy Shackleton

by Emese Krunák-Hajagos

Now, after years of experimenting with gravity and rotating my canvas, I am able to manipulate where and how each drip will fall. There is little room for error with my technique.

Kristine Moran at Daniel Faria Gallery

by Alice Pelot

In The Boss, The Queen, The Secretary and The Henchman, the layers of paint have more solid planes, are less in flux and the figures demonstrate relationships not only between imagined characters but also between colours.