by Emily Lawrence
The show seems aware of the problematic aspects of Harris, but is overly polite in its explanations and is seemingly too timid to push further—perhaps in fear of appearing blasphemous against one of Canada’s most famous artists.
by Nika Teper
Both art and design shape physical and emotional space. Both have their specific fabrication requirements and processes. I’m often confused by the difference between objects, what they are and what they do.
by Alice Pelot
Most of the objects are treated like artifacts and documentation, but all seem included for the purpose of elevating contemporary tattoo practices and styles to an art form.
Canadian Sculpture Centre
Adhering to its educational mandate, the Sculptors Society of Canada organizes and sponsors this exhibition each year.This year the jurors have selected 13 works by 6 artists from Ontario.
by Nika Teper
Jowett expresses qualities of reflection, the division between land and sky, sea and sky, by accentuating the natural geometries.
by Emese Krunák-Hajagos
Our plans for the next five years are to adapt ourselves to the gallery’s growth. Art as life, one project at a time, and to be open as we always have been to the outsider within.
by Simon Termine
The exhibition is an homage to Kahlo’s unique aesthetics and thematic diversity which, when viewed concurrently, serves as the artistic depiction of her history and experiences.
by Megan Kee
Redefining the archetypal gallery model, loop still stands to this day because of the memberships vision, dedication and because “artists still need a sense of community.”
by David Saric
Selections 2012-2016 provides an amusing and mischievous history lesson that mostly evades factual truths.
