by Tiffany Duong
“Grimoire” questions the depths of unconventionality and what it means to exist outside of social acceptance, whilst offering insight into the perspectives of local, up-and-coming talent.
by Mikael Sandblom
If we pay attention, and if we follow the artist’s focus, perhaps we’ll start to hear the rustling of leaves, smell the earth and moss, feel a cool damp breeze.
by Ashley Rowe Flick
It is an annual exhibition that takes a few risks and gives artists a rare opportunity to express their thoughts about sex.
by Mikael Sandblom
You’ll have to work at it – but there’s fun and freedom in that. In the Interopera, the effort, your effort to make sense of it, is the message.
by Phil Anderson
Massey’s exhibition is clever and thoughtful while at the same time attractive.
by Steve Rockwell
It’s best to view the artist’s full oeuvre as patches and swaths cut from a single bolt of cloth
by Phil Anderson
I want to bring the Mohawk culture into the light. I want people to say “I can do that”, because that’s what art should be and it is what artists should set out to do.
by Hugh Alcock
The online Partial Gallery has exhibited a selection of artworks at Gallery 1313 – images of which can be found on its website.
by Elin MacRae
Ontological questions fuel Liz Magor’s art: she wants viewers to look and then re-look.
by Phil Anderson
The interview was made on the occasion of the 30th anniversary of Paul Petro Contemporary Art
