by Laura Hutchingame
Jackson’s use of this new 3D printing method and the collective creation of the final installation strikes the viewer as particularly resonant in 2017.
Jesse Colin Jackson: Marching Cubes at Pari Nadimi
Interview with Lloyd Arbour
by Nika Teper
I find beauty and creatively in many of the basic elements that surround me on a day-to-day basis — one day it might come from architecture and the next a gradient of colour.
Mitchell Chan: Art & Inactivism at Angell Gallery
by Allison Ing
Art & Inactivism is a poignant time based exhibition by artist Mitchell Chan that questions the interconnected roles of art and political narrative.
Jordan Broadworth: The Adjacent Possible at General Hardware
by Nika Teper
Broadworth’s artwork evokes multiple possibilities of urban narratives with various natural and artificial, haptic and digital motifs and patterns.
Iris Häussler: Sophie La Rosière Project at Scrap Metal
by Andriy Bilenkyy
Häussler’s exploration of the artistic value of fictionality, simultaneously dissimulated and exposed, sits well with the theoretical concerns that could motivate her character, Sophie La Rosière, – if she was more than an artworld entity, of course.
Interview with Lumír Hladík at Walnut Contemporary
by Jordan Fee
I try to put so many layers into my works, so even if you only get two or three of them the first time, it still goes deeper and deeper.
Photorama 2016 at Gallery TPW
This year marks the 30th anniversary of Gallery TPW’s annual Photorama fundraising exhibition, featuring over 100 artists exhibiting contemporary photography and lens-based work. Photorama features work by some of Canada’s most accomplished artists and promising young photographers.
Climate Change at Ryerson Image Centre
by David Saric
Ryerson Image Centre’s latest curatorial effort, simply titled Climate Change, confronts many ecological concerns head on, displaying its socially conscious inclinations for all to witness.
The paintings of Kim Dorland
by Emese Krunák-Hajagos
Dorland’s vision of a forest, or other parts of nature, is very different from any realistic or idealistic view – he brought drama into nature. Even in his landscapes he wants “to tell his own story.”