Now in its 18th year, Art Toronto presents important artwork from leading Canadian and international galleries combined with many events and programming
At Home With Monsters challenges the exhibition-goer’s expectation of viewing art that is horrifying, unsettling and that is highly personal to Del Toro and his work, while also questioning the very idea of monsters.
As Phil Irish’s exhibition Peak Velocity winds down in anticipation for the solo show of fellow Ontarian artist, Pedie Wolfond, I had the pleasure of visiting the Lonsdale Gallery in that liminal gallery time when exhibitions are coming and going.
Felt, like stone, has a utilitarian aesthetic based on the way it was produced. The material, sensorial and psychological elements present throughout the exhibition are beautifully and intelligently consolidated.
It wasn’t always about sales, but it seemed more about the process of sharing their work with an interested public, that was to be even more important.