by Mikael Sandblom
Fleming ensures that the artist has the last word, not the technology
Joe Fleming at General Hardware Contemporary
Z’otz at YYZ
by Hugh Alcock
It is elusively compelling work. Their drawings and sculptures have an authenticity that is rarely found
4-Person exhibition at Canadian Sculpture Centre
by Victoria Rainoff
Through their sculptures each artist examines the power of nuanced gestures – capturing the human spirit in clay, bronze and stone.
Thelma Rosner & Kim Stanford at loop
by Maria Mendoza Camba
The Opening Reception was packed with an audience enthusiastically responding to both installations.
Alex McLeod: Ghost Stories
by Nathan Flint
Visiting this exhibition was like to travelling into an imaginary world filled with bright colours and eerie themes, where the virtual and the real felt as seamless as a looping animated.
Configurations by Mike Hoolboom & Jorge Lozano
by Simon Termine
Just as with the issues they explore, there is an inherent complexity to their films that requires patience and contemplation, yet it effectively presents a forum for the discussions that must be had.
Naomi Harris: Hollywood Furever
by Nathan Flint
Beyond the complicated philosophical underpinnings, the works are funny, campy and beautiful.
Interview with Pengkuei “Ben” Huang
by Maria Mendoza Camba
witnessing the struggle of the survivors to recover definitely transformed me as an individual, as a photojournalist and as a storyteller.
Ayana V. Jackson at Campbell House Museum
by Keren Sedmina
“My work has always been quite political. It is perhaps aesthetic, but it is ultimately a form of activism. I want to liberate the black body.”