by Haafiz Karim
Wonderfully created and delivered they evoked strong emotions through their colour association and – what I found interesting – their names.
Robert Groh
Category: BRIEFS
Cannibal Nympho Witch at Paul Petro
by Sarah Sands Phillips
One cat after the next, distorted and psychedelic, somehow both crossed-eyed and menacing, watch you watch them
The Visible and the Invisible
by Emese Krunák-Hajagos
There is a dreamlike quality to her images. Standing in front of Cover II., I feel a certain discomfort and quietness at the same time.
Today a Legend Died. Viva La Revolution
by Salomeh Ahmadi
Kwan sang ‘Born to Run,’ in Latin on loop for 40 minutes straight. He was dressed in a uniform endlessly carrying, turning and dragging a large table-sized platform
Lori Nix / The City
by Emese Krunák-Hajagos
July 7 – 21, 2012
BAU-XI PHOTO
People, for some reason, left this place behind. It radiates the painful nostalgia of good old times gone. Melancholy rules forever.
Alice Zilberberg “Who is Alice?”
by Barbara D. Waginski
July 5 – 31, 2012
BEZPALA BROWN GALLERY
The images are clever and quite striking in their twisted and dark representations.
PEEPSHOW
by Seowon Bang
March 30 – April 1, 2012
UNIVERSITY OF TORONTO
Each artist in PEEPSHOW explored and exposed the self, the vulnerable, the raw, and the private.
The Artist Project
by Daniel St. Germaine
March 1 – 4, 2012
Queen Elizabeth Building, Exhibition Place
Thousands of young urbanites and art lovers are expected to flock to the Queen Elizabeth Building at Exhibition Place to see what some of the world’s most dynamic emerging artists have to show
Hennessy Youngman
by Keltie MacNeill
Tuesday, January 31, 2012, 7:30 – 9:30 p.m.
DRAKE HOTEL UNDERGROUND
Youngman hosts a series of ‘webisodes’ called Art Thoughtz, where he tackles many contemporary issues in art and culture like beauty,
Intersections
by Liz Johnston
December 16, 2011
888 DUPONT ST., UNIT 111
Combining film, dance, and architecture, Raha Shirazi and Raja Moussaoui’s Intersections provides an immersive viewing experience. A projected image of a Middle Eastern bazaar greets the audience, beckoning them into the installation.
Brothers of the Weird
by Daniel St. Germaine
November 25, 2011 – January 22, 2012
COOPER COLE GALLERY
The group’s graphic design background is evident in the paintings which feel like Saturday morning cartoons reimagined by graffiti artists.
Nicholas Stedman: Tribot
by Miriam Arbus
November 2–13, 2011
GALLERY 1313
It underlines the increasingly present tensions in our contemporary framework between that which is alive and that which is lifelike.