The key idea of Carly McAskill’s new show, a thesis solo exhibition entitled Motherline: A Self-Portrait, is that identity is built through layers of memory.
Kitsch and cuteness are fundamental elements of contemporary consumer culture. The combination of the two creates a grotesque vision of the world around us.
The manner in which the viewer tries to grapple with the multitude of images is similar to the way in which today’s sensationalist society is constantly evolving and replacing itself.
these contemporary Aboriginal artists continue to share stories new and old. The spirit of endurance and resistance that comes across in their art tells me they are far from beat
Looking around I was impressed by some artists’ works who used the technique of collage. In other words several artists caught my eyes with their exceptional use of layers in creating a narrative.
Taking the helm of The Artist Project for the third time, Ms. Taylor provides an exclusive director’s outlook of the fair: what to look out for this year, the challenges and rewards of the fair
I walked along Dufferin Street under the Princess Gate with excited anticipation to see the Artist Project in their new space in the Better Living Centre.
How Hummingbirds Choose Flowers, then, is a good title for an exhibition of Patrick Howlett’s purely abstract works, which present the viewer with myriad suggestive visual cues that can’t exactly be pinned down
“In my work I’m always a sculptor,” says Michael Snow. This is a rather unexpected comment coming from an artist whose extensive oeuvre spanning six decades includes painting, sculpture, film, photography, and music.
An exhibition by two contrasting, but in some ways complementary artists. Both paint very much in the present, with Peter Hoffer arching to nostalgia and Rachel MacFarlane coming off as futuristic