by Brinae Bain
His collage-like technique leaves behind a compendium of textures, shapes, and lines that form together to create an incredibly detailed scene. Almost tactile, it is this aspect that provides Lynch’s works with a sense of depth, one that vehemently projects a sense of ‘place’
by Madeleine Till
2015’s annual installment of The Sex Show proved to be an entertaining and perhaps voyeuristic take on the subjective experience of sexuality, sensuality, and eroticism.
by Mitch Billinkoff
“The Paradox of Power”, the centerpiece of the show, is worth making the trip on its own. The work is both ambitious in its technique and scale and can only be truly appreciated in person.
by Joséphine Mwanvua
I highly recommend talking with these two artists if spirituality, the body and soul are topics that interest you because they have very interesting perspectives.
by Josephine Mwanvua
Although the gallery’s definition of the exhibition labeled Mizuno’s art as being a series of food fetishes, she says that she simply adores drawing women and food, and has always loved to since childhood.
by Kate Pendergast
It is an interactive catalogue, a look at a financial market dystopia that has been pulled apart and magnified.
by Elena Iourtaeva
Together, the two venues put each other’s modes of display in perspective, opening a discussion regarding the contemporary museum experience and permitting a more engaged approach to the show as a whole.
by David Saric
Throughout the two unified exhibitions, Coupland’s artworks critically analyze what it means to be human in a postmodern society, while also displaying a sense of wit and playfulness that is both engaging and memorable.
by Ella Gorevalov
Regardless or whether or not the AGO has done Basquiat justice, it is clear that his work still carries the same seduction and lure that taps into an intrinsic desire for understanding, and is absolutely a must to see.
by Emese Krunák-Hajagos
we don’t follow the market, the market follows us. There is no doubt, this is much more challenging for a gallery but I like the challenge — so do the artists we represent
by Joséphine Mwanvua
I admire Karin Jones for pairing two historically powerful and dominant symbols together to convey her message
by Mia Guttmann
In a way, Lake is the real referent for her viewers as we contemplate our own identities while we experience a very personal introduction to Suzy Lake.
