by Josephine Mwanvua
self-portraiture has always been important in the art practice, and today it is ever so present in pop culture with Millenials at the forefront of the selfie culture
The Immaculate Selfie at Black Cat Gallery
Category: FEATURES
John Abrams & Candida Girling at loop
by Simon Termine
The past century saw drastic changes in every aspect of society, including artistic interpretation. Cities grew exponentially and with each new technological innovation came the founding of new potential mediums
FAITH LA ROCQUE: chisel to carve light thoughts
De Luca Fine Art / Gallery
by Elena Iourtaeva and Emese K-H
La Rocque presents a collection of sculptural works informed by the subject of alternative health therapies.
Kagame Murray: Prosthetics/Mnemonics at Articsok Gallery
by R.M. Lacovia
Kagame Murray’s art sits on the boundary between two dimensional surfaces and three dimensional objects made complex by an intensification of illumination.
New works by Morley Shayuk & Shelagh Keeley
by Elena Iourtaeva and Andrey Bilenkyy
Paul Petro Contemporary Art
a double exhibition of new works by Shayuk and Keeley, having artistic energy in common, and yet split in references by a millennium
John Ferri: Giant Humans / Next To You
by Phil Anderson
On the often panoramic photographs the interplay of people is sometimes real and sometimes imagined
You’ve Really Got a Hold on Me
by Veronica Scarpati
After twenty years at Oakville Galleries, curator Marnie Fleming presents her final farewell show. And it’s not to be missed.
Interview with Jamie Angell
by Amy Luo
I’m excited too see artists work with something new. Is it viable? Well, if I believe in something, I’ll make it work.
Over the Rainbow: Seduction and Identity at Mocca
by Aurore Mathys
the show is interested in stereotypes commonly associated with queer culture, but also transcends them to deliver a powerful account of a universally shared human experience.
Rebecca Belmore: KWE at Justina M. Barnicke Gallery
by Mia Guttmann
Art is often times described as a catalyst for change, but creating art with a predisposed agenda can lead to artworks that appears forced or cliché.
Interview with Attila Richard Lukacs
by Emese Krunák-Hajagos
I still think that most of my paintings today are figurative, even when the figure is completely absent. There are also compositions where I use the figure but broken down so there’s just a hand
Michael Awad and The Vastness of Totality
by Mia Guttmann
When seen from afar, the panoramas appear pattern like, and reduce the subjects to mere form and color. When the viewer gets closer attempting to “take it all in” – the photos become overwhelming.