by Amy Luo
The artist who is recognized in this MOCCA exhibition, however, is one whose identity is as multiform and slippery as her artistic style.
Louise Bourgeois at Mocca
Category: FEATURES
Ancient Cradles and Modern Wars
by Saba Askary
Though your ethnic background may not necessarily come from the region of Mesopotamia, it is nevertheless their inventions and system advancements that pertain how we live today.
MAI (Marina Abramović Institute) – Prototype
by Leanne Simaan
Abramović wants to “give the public the possibility to experience and to reflect upon emptiness, time, space, luminosity and void…in three basic positions: standing, sitting and lying down.”
Arthur S. Goss: Works and Days
by John Bentley Mays
Things that are below the threshold of artistic subject-matter become visible for the first time. Things and situations and places that one might think unworthy of representation become compelling.
Yigal Ozeri: Territory
by Amy Luo
The theme of death asserts its presence even more when the viewer recalls the subject is not just a beautiful woman and a mythical nymph, but also a soldier serving in the Israel Defense Forces.
Auto-Motive: World From the Windshield
by Veronica Scarpati
With people spending a greater amount of time behind the wheel, the windshield has increasingly come to function as a global framing device, mediating our relationship between us and our immediate surroundings.
Daniel Hutchinson: Paintings for Electric Light
by Shellie Zhang
Due to the use of high-gloss paint which allows for immense depth and movement, Hutchinson’s works immerses the viewer in a heavenly neon glow.
Darkness at the edge…
by Leanne Simaan
there were many redeeming qualities, particularly the pieces and the atmosphere in the North Gallery.
Lost in the Memory Palace
by Amy Luo
The work of art, then, is reality-as-experienced, in which the experiencing subject participates in the production of the final oeuvre.
Revealing the Early Renaissance
by Haafiz Karim
It perhaps did not live up to its full potential by limiting its focus on themes of religiosity while several other areas such as literature, philosophy, science and politics were somewhat brushed over
Jeremy Jansen
by Leanne Simaan
the works challenge the audience to rethink how their bodies are required to move/act in, as Soi puts it, “supposedly free and open environments.”
Kelly Richardson’s Orion Tide
by Shellie Zhang
Orion Tide rests somewhere in the territory between science fiction and biblical wraths by uniting the cataclysmic commonalities that both worlds share