by Joséphine Mwanvua
Art Spiegelman – who happens to have a very metaphorical way of speaking, and who is just as funny as his comics – talked about how the culture of comics changed society’s relationship to media and how comics are treated nowadays: that they can even be seen in museums.
by Simon Termine
Moran’s exhibition concerns the mystical connotations behind such events, abstracting them with largely-gestural brushstrokes and cryptic symbols to allude to their emotional impact while distorting the meaning.
by Mitch Billinkoff
The exhibition is an effectively condense survey of Frenkel’s body of work. Her interdisciplinary practice surely offers something to any prospective visitor, be they interested in video, installation, text, performance or sound.
by David Saric
Where Smirle’s exhibition presented her particular representation of a significant voyage, Hague’s quirky-looking constructions focus on broader themes and are less specific.
by Joséphine Mwanvua
the exhibit is intriguing, not only because of the intricacies in each painting, but also because they are visual interpretations of parts of western history done in an ghostly ethereal way.
by Brinae Bain
Representations of industrial vehicles, cloudy skies, and other-worldly landscapes are paired with titles reminiscent of 1980s pop lyrics.
by Kate Pendergast
The exhibition is a mélange of notable political figures who bare no political affiliation to one another but whose commonality is in their representation, all in full-tilt uninhibited laughter.
by Simon Termine
It is through the broad juxtaposition of the dystopian landscapes and the gentle innocent presence of children that allow Wainio’s pieces to convey such robust emotional connotations that is unique to her artistic style.
by Brinae Bain
Giboulo accomplishes a great deal with her vibrant and comical figures. Her work presents the viewer with entertaining, thoughtprovoking situations that reflect on, what have become, society’s standards.
by Prof. David Evison
Jae Ahn presents us with not only ponderous works of art but art which is unexpected and, above all, with aesthetic surprises.
by David Saric
Kate McQuillen’s Dead Reckoning, on now at the O’Born Contemporary, transforms the traditional commercial gallery space into an artfully abstracted information center.
by Veronica Scarpati
Conversations with two different artists reveal the limitless freedom well-established boundaries can create.
