by Vanessa Zeoli
The sculptures manage to combine elements of imagination and reality well while challenging the spectator to perceive the world with innocence and to be receptive to the possibility of the unimaginable.
by Rhiann Moore
Like the thread of the veils each piece weaves together the different aspects of the artist’s identity as an immigrant and as a woman.
by Sunny Kim
The Power Plant introduced three major solo exhibitions by three international artists: Carlos Amorales, Dora Garcia, and Mark Lewis.
by David Saric
His awareness of past artistic trends and tropes has provided a wealth of inspiration for this uncanny collection of images, which dually act as thematically succinct collection contemporary artworks, and a whimsical art history lesson.
by Simon Termine
Both Heffernan and Stanford works are giving the viewer a degree of interpretation in visualizing their own surreal world.
by Sunny Kim
The new gallery is a wonderful place to explore the emotions of Deverell’s pieces. His works carry a deceptive musicality through his vibrating and eclectic use of colour.
by Emese Krunák-Hajagos
Shadows of the after-world filled with light. What is left from their physical life is still shining along with eternal light. They are mesmerizing. You can’t help but love them.
Jacqueline Ceresoli
They are goddesses and heroes, myths about everything or nothing – bodies that symbolize the loss of the transcendent from its perfect imperfection.
by Catherine MacArthur Falls
These works are between the abstract and the concrete. Indeed, as a whole, the show consistently balances razor sharp precision with something much more vague, fey and ethereal.
by David Saric
Throughout the exhibition, the artist utilizes the power of pantomime in order to create enigmatic images of eccentric and confrontational female figures.
by Phil Anderson
Those projects are set up to see how people react to the situation itself. What do you think a girlfriend is all about? What kind of person wants to hear what I think of them? The answer is never simple, and usually surprising.
by Phil Anderson
I feel pretty good about the way things have evolved – with MOCCA and the cultural landscape of the G.T.A. We have an amazing art scene here.
