by Simon Termine
Through this composite technique, they were able to skillfully create a scene that no one could even conceive, subsequently becoming one of the most iconic images of that period.
The Art of Canadian Composite Photograph: 1870 – 1930
Category: FEATURES
Makeshift at Gallery 44
by Elena Iourtaeva
Makeshift by Maegan Hill-Carroll, Brea Souders and Ève K. Tremblay is a delightful display of masterful compositional and coloristic balance
Heidi Leverty: Surplus in transit / Walnut Contemporary
by Emily Kovacs
The photos themselves give purpose to what no longer has a purpose, exposing the simple beauty of a mundane object as it makes its way through the recycling system.
The Lodz Ghetto Photographs of Henryck Ross
by Simon Termine
There were scenes of smiling and playing children, women enjoying their gardens, and men in suits in professional poses – an enduring moment of dignity and joy, even though for many it would sadly be one of their last.
Tim Roda’s Narrative
by Mia Guttmann
The walls of the Angell Gallery are currently housing some unusual and thought-provoking pieces that provide an engaging experience.
Scotiabank Photography Award: Mark Ruwedel
by David Saric
This thorough survey will captivate admirers of Ruwedel and landscape-themed photography, while also providing curious onlookers a chance to explore new and exciting destinations through the photogpraher’s interesting and curious lens.
Interview with Csilla Csiki and Peter A. Por / Articsok Gallery
by Emese Krunák-Hajagos
Establishing a gallery with excellent exhibitions that also sell well is a time-consuming procedure that requires patience, perseverance, hard work and dedication to art. I think we bring all those qualities. We love what we do.
Chris Curreri: So Be It
by Sunny Kim
So Be It is a refreshing approach to ceramics. The imperfections that appear through the procedure are celebrated here to the extreme and made permanent as well.
Istvan Kantor’s Asylum
by Daisy Li Meng
Instead of escaping the political turmoil of the world, Kantor brings it inside the gallery. He soldiers on with holding a shovel in his right hand and the Red Book of Chairman Mao in his left.
Rita Leistner’s Quest for Marshall McLuhan in Afghanistan
by Vanessa Zeoli
Leistner’s current exhibit Looking for Marshall McLuhan in Afghanistan, is a convergence of old and new technologies, effectively working to preserve the visual history of mankind.
Timothy Nash Johnston: Chemical Compositions
by Sunny Kim
The organic patterns made by the chemicals are intoxicating; they are as pleasing to the eye as they are complex
Trophy: the Inverted Carousel
by Marina Dumont
Like a carousel rotating around its platform with its wooden horses and circus animals, there is something rather playful and addictive about Matilda Aslizadeh’s Trophy that will make viewers feel like they could look at the work for hours