by Emese Krunák-Hajagos
I still think that most of my paintings today are figurative, even when the figure is completely absent. There are also compositions where I use the figure but broken down so there’s just a hand
by Mia Guttmann
When seen from afar, the panoramas appear pattern like, and reduce the subjects to mere form and color. When the viewer gets closer attempting to “take it all in” – the photos become overwhelming.
Thompson Landry Gallery
by Carter Brown
The paintings include this idea of fragility of women but there is also a quiet power that exists in these mysterious figures.
by Melina Rymberg
The exhibition celebrates Parks’ achievements with an incredible range in subject; from those who experienced severe marginalization and cruelty to those who were celebrated 20th century icons.
De Luca Fine Art / Gallery
by Aurore Mathys
Ray presents a set of appealing and fascinating canvases that show his technical prowess, but that yet asks for a more systematic conceptualization of his work
Thompson Landry Gallery
by Carter Brown
Gélinas plays with the idea of engaging both sides of the viewer’s brain, the right, which deals more with visual imagery, and the left, which handles logic and mathematical reckoning.
Articsok Gallery
by Ashley Johnson
One can salute the intention of the artist to maintain a moral integrity and to present art with a social message. That he also creates mysterious and intriguing work is an added blessing.
Christopher Cutts Gallery
by Steve Rockwell
If Garnet wears his pessimism on his sleeve, it serves to expose the bur under the saddle of all who are at ease in Zion at their peril.
by Gary Michael Dault
Treloar’s crowns are lush, lustrous, buoyant museums of iconographic plenitude.When they are filled, they rise like the sun. A sun that never, however, sets.
by Ella Gorevalov
This is a space with many possibilities. It has an industrial kitchen, studios for music production, spaces to produce art work in any medium, and a gallery space to showcase it.
by Aurore Mathys
With works that push the boundaries of each medium to new levels, we are left to wonder which exactly of the artists are the ‘purists’ and which are the ‘manipulators.’
