Both artists captured moments within the natural cycle of destruction and creation by using their artistic vision and conceptual views to radically alter the fabric of our world.
His objective is to nudge you into thinking that while you may feel certain about how things appear to you, that certainty might itself be an illusion, a trick of the brain.
Finding abstraction in forms, and figures in the formless is a wonderfully intellectual exercise that the artist and the gallery have tackled beautifully together.
Kim enhances her rather morbid imagery with delicate strokes and colors – so the ugly body parts go through a metamorphosis and become almost beautiful.
The image she presents to the viewer is a mediated, heavily edited one that combines reality with Ness’ visions to create a mystical realism that is mesmerizing.
Each artist in Land Use addresses some of the underlying issues of Anthropocene and presents a closer view of land usage and a more humanistic approach to nature and humans.
Muluneh’s photographs are not just an exhibition of pure magnificence, but they are also a testimony to the ramifications of a bloody and unjust history
By sharing their cultural traditions, exposing their artistic ideas in new forms, those artists provide us with a wide view of contemporary Chinese art.