His collection and composition of found and photographed images, once extracted, are then peeled, layered, repeated and rephotographed. The cinematics of space and person recall a broader narrative.
In the space between the rural North and the urban city, between dusk and twilight, and somewhere between indoors and outdoors, there exists ‘landscapes of the mind’ by Ann MacIntosh Duff.
Now, after years of experimenting with gravity and rotating my canvas, I am able to manipulate where and how each drip will fall. There is little room for error with my technique.
In The Boss, The Queen, The Secretary and The Henchman, the layers of paint have more solid planes, are less in flux and the figures demonstrate relationships not only between imagined characters but also between colours.
Interested in the idea of shadows and how they cast over the histories and lives of people, Lee’s paintings create links between the past, the present, and the future.
Zachari Logan and Morley Shayuk explore the complexities of nature, examining its potential connections in itself, between other organisms, and within a societal context, with juxtaposing approaches in both theme and style.