by Nika Teper
Holden thematically and technically experiments with our sensory capacity. The final impact is one where the viewers ponder where exactly to situate themselves within the work; between the polarized web and natural elements.
by Jordan Fee
New Work: Smokestacks, Spills and Figures should not be missed by anyone who is interested in process art, or in the ways in which artists attempt to enter into an ecological dialogue with their viewers.
Simon Termine
The inherent polychotomy of Ito Laila’s works – with regard to the array of mediums used, concepts explored, and feelings conveyed – is truly unique and interesting.
by Vanessa Zeoli
Crookshank’s ability to take unnatural materials and create an enlivened object that communicates a distinct moment of tension to its audience, is simply inspiring.
by Emily Lawrence
Chihuly is an artist who capitalizes on the “wow factor”—everything is larger than life, brighter than life, and leaves the viewer questioning how on earth a material as fragile as glass could be molded into so many different forms
by Vanessa Zeoli
Each artist offer a conceptual, autobiographical narrative that confronts the realities of love and looks toward their modification by means of endurance, patience, and sacrifice.
by Jordan Fee
Like an old friend is an interesting combination of video, photography and mixed media installation that makes us question our own presence and whether or not it is fleeting or eternal.
by Alice Pelot
Tisiga’s painted scenes are all narrative, storytelling at the height of action, containing traditional threads and allegories as well as personal symbols and subtle Western content.
by David Saric
From Girling’s outward examination of fragile physical appearances, to Cade’s inward probing of the uncanny relationship between the mind and streams, these exhibitions manifest vivid considerations about the world that surrounds us.
by Katerina Bong
Through artistic representation, Ward constructed a sophisticated exhibition promoting critical effects of landmines
by Alice Pelot
Koop’s paintings seem to represent an uninhabitable or rare space where the beauty of New York’s architectural reality is valued above its economic symbolism – or perhaps an ode to ephemeral moments in the mega city’s skyline.
by Nika Teper
Jim Reid’s chaotic brush strokes enable atmospheric renderings that are especially provocative when slowly approached from a distance.
