by Xiaotong Cao and Emese Krunák-Hajagos
What makes Barbey a great photographer is not only his technical perfection, sense of beauty but his humanitarian attitude, his love toward his subjects and the stories he tells
by Nathan Flint
The show tackles concepts from personal concerns to broad cultural issues, abstraction to realism and many more varied styles and various ideas.
by Daniel Joyce
Curator Tak Pham offers sweet indulgences and sour truths in Decadence at Pari Nadimi Gallery
by Phil Anderson
Interview with David Liss Curator @ MOCA on the inaugural exhibition of the new centre
by Nazli Nahidi
This is not as superficial as its mediums may make it out to be, these are issues spread out across a vast landscape, lives and generations felt on a deep level.
by Sophie Wang
Alexander’s layered multimedia images and Treleaven’s collage photographs – both very unique in their appearance – are worth a visit or two to the gallery
by Nathan Flint
the show is a wonderful learning opportunity for anyone interested in the praxis between the visual arts and environmental activism
by Sunny Kim
By transporting these wayfinder markers to the gallery space, Los-Jones provides us with the navigational tools with which we can fearlessly explore our own personal terra incognita.
by Carolyn Peralta
A harmonious contrast between light and dark is found in several of Morimoto’s paintings, and adds suspense and depth to his works.
by Steve Rockwell
The theme for my visit to the Artist Project turned out to be time as I found impossible to cover the show “in time” since I would always need more …
by Nathan Flint & Sophie Wang
the Better Living Center manages to contain within it a more tremendous and culturally significant amount of established and raw talent than can be appreciated within a single visit.
by Simon Termine
Not Too High, Not That Low present intriguing and insightful views about how art can manifest outside of restrictive, solidified practices that are otherwise taken as granted.
