A time and a place is presented, revealing how the AIDS epidemic produced a vast body of art and humanity and new ways to communicate that are still not entirely understood.
Plotek’s paintings are not immediately comprehensible but the pleasures offered by his refined visual language instill a desire in the viewer to return to them again and again.
Nasty at Daniel Faria Gallery showcases a captivating assemblage of works in different media that presents the viewer with defacement, inaccessibility and interference patterns.
Kalmenson’s show is a politically engaged conceptual art, thoughtful and witty, which, nevertheless, leaves the viewer with an impression of the artist’s longing for an artistic, not merely ideological, adversary worthy of being deconstructed.
Their different styles – Babyn’s conceptual and contemplative installation and Pugliese’s emotional and tranquil paintings – greatly complement each other.
In a dual exhibition, the artists allow their distinct artistic endeavors to reflect, comment upon, and compliment each others’ oeuvres, showcasing a thematically-succinct sister act.
The Museum of Contemporary Art, Toronto, Canada was awarded $5.1 million from Canada Cultural Spaces. Things are looking up for MOCA and the art community was thrilled to hear the news.