I wanted to believe that the show’s title, The Escape Club, might have a direct tie to fantasy in the Disney sense, serving as an invitation to go on some magical tour of, say, a Fleming Fantasia.
In our increasingly social world flourished through technology, The Anxious Body is an intricate group exhibition striving to the influence of social media and current socio-political paradigms on contemporary visual art.
June Callwood (Canada’s revered writer and activist) had encouraged me to write down my family’s story – but I felt I had to do the “visuals” first…. as I am a “visual artist”
My own familiarity with LA art scene begins to thin out somewhat in the middle of the 2010 decade. So much has happened in Los Angeles since. What I managed to glean was merely a core sample of a vital, if not explosively dynamic arts community.
At Home With Monsters challenges the exhibition-goer’s expectation of viewing art that is horrifying, unsettling and that is highly personal to Del Toro and his work, while also questioning the very idea of monsters.
As Phil Irish’s exhibition Peak Velocity winds down in anticipation for the solo show of fellow Ontarian artist, Pedie Wolfond, I had the pleasure of visiting the Lonsdale Gallery in that liminal gallery time when exhibitions are coming and going.
Felt, like stone, has a utilitarian aesthetic based on the way it was produced. The material, sensorial and psychological elements present throughout the exhibition are beautifully and intelligently consolidated.